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1. Arnheim, Rudolf. Toward a Psychology of Art. Berkeley and Los Angeles:
University of California Press, 1966.

2. ------------------. Art. and Visual Perception. New. Version. Berkeley and Los

Angeles: University of California Press, 1974.

3. ------------------. The Dynamics of Architectural Form. Berkeley and Los

Angeles: University of California Press, 1977.

4. -----. The Power of the Center. Berkeley and Los Angeles: University of California Press, 1982.

5. -----. 2 What is an Aesthetic Fact? Studies in Art History,

vol. 2, pp. 4351. College Park: University of Maryland, 1976.

6. Balzac, Honoré de. Le chef-d'oeuvre inconnu.

6. Gogh, Vincent van. The Complete Letters. Greenwich, Conn.: New York Graphic Society, 1959.

7. Held, Julius S. Rembrandt's Aristotle and Other Rembrandt Studies. Princeton, N. J.: Princeton University Press, 1969.

8. Holton, Gerald. Thematic Origins of Scientific Thought. Cambridge, Mass.: Harvard University Press, 1973.

 

10. Jung, Carl Gustav. Psychologische Typen. Zurich: Rascher, 1921. Eng.: Psychological Types. New York: Pantheon, 1962.

11. Kandinsky, Wassily. Rückblick. Baden-Baden: Klein, 1955.

12. Naredi-Rainer, Paul v. Architektur und Harmonie. Cologne: Dumont, 1982.

13. Steinberg, Leo. Borromini's San Carlo alle Quattro Fontane. New York: Garland, 1977.

14. Summerson, John. The Classical Language of Architecture. London: Methuen, 1964.

15. Vollard, Ambroise. Paul Cezanne. Paris: Crès, 1924.

16. Whitehead, A. N. Science and the Modern World. New York: Macmillan, 1926.

17. Woodworth, Robert S. Experimental Psychology. New York: Holt, 1938.

18. Wolfflin, Heinrich. Kunstgeschictliche Grundbegriffe. Munich. Bruckmann, 1920. Eng.: Principles of Art History. New York: Holt, 1932.

19. Zevi, Bruno. Il Linguaggio moderno dell'architettura. Turin: Einaudi, 1973. Eng.: The Modern Language of Architecture. Seattle: University of Washington Press, 1977.

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