, , , King Crimson . ? - . 2003 . King Crimson . , King Crimson, , , . , . , .
?
1. ( ) , , , , , . , , . ,
2. Toyah (http://www.toyahwillcox.com) , , . .
3. ( ) .., , . , .. . , Sven . , juta : 1. Name: juta, E-Mail: [email protected], City: Litva, Comments: Da shto eto takoje... kak tol.ko interestnyj razgovor. tak nachinajetsia bordak s knigoi... takoje oschiuchenije, shto izchezajut imenno boleje ostryje, neprijatnyje, neudobnyje dlia avtora saita teksty... Nu tak zhe nesolidno... i shto tam s etoi foto? Nu, svisnuli. tak priznaites., a jesli net. to dokazhyte, objasnite, shto eto nepravda, a stirat.. neserjozno... Thursday, November 13, 2003 at 11:15:01 (MSK)
4. , , , .., . , - , (Orwell)
, . , ? !
King Crimson , . , , , .
.
: http://indoorgames.boom.ru ( , . 2003) -http://www.guestbook.ru/book.php?user=IndoorGames&action=show&language=english
Sven L. (13 2003 )
KING CRIMSON : "", "", 2000 3,000 . ISBN 5-306-00043-6
KING CRIMSON, -. - ? , . , : , , KING CRIMSON, . . " " - , , - . " " - , , , . " " - : , , . " " - , KING CRIMSON , , . " " - , . , 60 - 70 , KC . " KING CRIMSON" - , . , . , , KING CRIMSON .
... FUZZ 3 2001
! , , Fuzz. , , , . , , , - King Crimson. , . , .
. , , KING CRIMSON, . , ? : " " - , , - . King Crimson? , ? The Young Persons` Guide to King Crimson . . , ( 26 320 !) , . , - , - . , .
-, " " - , , , . , , (.33-133). . , . , , , . Starless and Bible Black , . , , . Ladies of the Road .
" " - : , , . .134-203. , - King Crimson, (Copyright 1990-2003 by John Relph.) - www.elephant-talk.com .
" " - , KING CRIMSON , , . (. 204-235) - , (John Green), , , . : http://www.songsouponsea.com/Promenade/ChapterOne.html
- " " - , . , 60 - 70 , KC . The Young Persons` Guide to King Crimson, . - , . , .236-309.
: KING CRIMSON - , . , . -, , . -, . (Barry Godber) . , , , . (, , ) , , , , , , .
, , KING CRIMSON . , , !!?? - . , , King Crimson, (Sid Smith In The Court of King Crimson - http://www.inthecourtofkingcrimson.com), (Eric Tamm Robert Fripp: from King Crimson to Guitar Craft -http://www.progressiveears.com/frippbook/contents.htm).
, - , 2000 , , . , : - , , . : 320 26, , ! 3 , , , , . , - . King Crimson .
- 309: , . . .
(14 2003 .)
, , . 1975 . . .
The Young Persons` Guide to King Crimson ( 1975 ) King Crimson (Robert Fripp). . . King Crimson. , . , .
, . , , 14 1969 , (Jimi Hendrix), King Crimson. , . .
, `Scuse me While I Kiss the Sky (The Life of Jimi Hendrix) by David Henderson (c)Omnibus Press, 2002. , , , , , 14 1969 , ! , -, . , - , , , , ! , Elephant Talk, #1159 30 2003 .
ET#1159 Sunday, 30 November 2003 http://www.elephant-talk.com/digests/et1159.htm From: Turusinov, Andrei S. Sent: Thursday, November 27, 2003 3:35 PM To: `[email protected]` Subject: Fripp & Hendrix I suppose you all read this message from Fripp`s diary, from the booklet to YPGTKC: KING CRIMSON JOURNAL 1969 - MAY 14: Revolution, London. A personal turning point following a discussion on presentation: I sit down after 8 gigs standing. Hendrix, dressed in white with his right arm in a sling, approached me afterwards and said, "Shake my left hand, man, it`s nearer to my heart". - Robert Fripp.
, , YPGTKC: KING CRIMSON JOURNAL 1969 - 14 : Revolution, . , : , 8 . , , , , " , , ". .
OK, good, everybody, of course, knows that! But, recently I read the book about Jimi Hendrix `Scuse me While I Kiss the Sky (The Life of Jimi Hendrix) by David Henderson (c)Omnibus Press, 2002. And in this book I read on pages 282-283 that at this time (May 1969) Jimi was in New York, not in London! ! , ! `Scuse me While I Kiss the Sky (The Life of Jimi Hendrix) by David Henderson (c)Omnibus Press, 2002. 282-283 - ( 1969) -, ! ==================== May 3, 1969 - Toronto, Canada - . JHE May 7, 1969 - Tuscaloosa, Alabama May 8 & 9, 1969 - Charlotte, North Carolina May 10, 1969 - Charleston, West Virginia May 12, 1969 - JHE returned in New York May 16, 1969 - concert in Baltimore ==================== So, who is right: Fripp or Henderson? Who was where? My guess is that Mr. Fripp simply made up this Hendrix handshake story. He wanted it to happen and so it telling everyone it did. Don`t forget about Fripp`s note at the end of the booklet: Some of the mistakes included are deliberate; some are accidental.
, : ? ? , - , , . , : ,
The first time I thought about it was after I read the booklet for King Crimson Epitaph 4CD set. Of course, in this booklet the famous Hyde Park concert was mentioned. But everyone gave different numbers for the audience at this show. Fripp mentioned 750,000, McDonald - 500,000. Lake - 100,000. Then I checked the YPGTKC booklet, and it said, "JULY 5 Hyde Park free concert with Rolling Stones, Battered Ornaments, Third Ear Band, Alexis Korner, Family and Screw. Estimated 650,000 audience." Finally, in the book about Rolling Stones I read that there were only 300,000 people at the show
. , . ! - 750,000, - 500,000, - 100,000. YPGTKC : "JULY 5 Hyde Park free concert with Rolling Stones, Battered Ornaments, Third Ear Band, Alexis Korner, Family and Screw. Estimated 650,000 audience." , 300,000.
So, who is right? After I read this fake Hendrix handshake story, I don`t think I can trust Fripp`s notes and I tend to think that the audience of 750,000 is just another myth in King Crimson`s history, originated by Fripp himself. Lake`s numbers are more credible - 100,000 at the beginning of the show and 300,000 at the end during the Rolling Stones performance.
? , , , 750,000 , . : 100,000, 300,000.
cheers Andrei
Rolling Stones, . , : Stephen Davis. OLD GODS ALMOST DEAD. (c)2001 ()2002. - ROLLING STONES. . , 2003, 464 c., 5000. 6. Let it bleed - 258.
, Elephant Talk . , , ... .. 3 http://www.disciplineglobalmobile.com/diary/, . ... , - . 2003
Tuesday 2nd. December, 2003, Bredonborough....this from ET From: "Turusinov, Andrei S." < [email protected]> Subject: Fripp & Hendrix > Hello everybody! I suppose you all read this message from Fripp`s diary, from the booklet to YPGTKC: KING CRIMSON JOURNAL 1969 MAY 14 Revolution, London... I suppose you all read this message from Fripp`s diary, from the booklet to YPGTKC: KING CRIMSON JOURNAL 1969 MAY 14 Revolution, London... , : It is an act of intelligence, to be encouraged & supported, that Andrei distrust Fripp The Man & All His Works.
( ), , . In 1981, during the Basing Street sessions for the Discipline album, KC were staying at the Portobello Hotel. The hotel was not far from the studio, on the other side of the Portobello Road. On a daily walk to the studio, I passed a bookshop just off the Bello and, bibliophiliacal tendencies set to tumescent, looked into the shop for a browse & fondle of promiscuous tomes. The shop assistant was a person I had not seen since 1969 - Loretta Land, sister of Mary, Michael Giles` wife. We agreed to meet for a drink at the Bello that evening. When we did, one of the subjects revisited was the Revolution gig
1981-, Discipline Basing Street, Portobello Hotel. , Portobello Road. , , , Bello. , , . , 1969 . , , . Bello . , Revolution.
LL: Do you remember when Hendrix came to see you at the Revolution Club?
: Revolution?
RF: Of course! That`s my Hendrix story.
: ! .
LL: Did you know that I was sitting on the table next to him?
: , ?
RF: No.
: .
LL: He was jumping up & down, saying this is the best band in the world.
: !
The guesstimates of the audience size, on the day, reached even 1 million. And, while not disputing Greg`s capacity to count, it might be wise to remember that a large cut-out of Brian Jones, on the stage immediately behind Greg, fell and landed on his head. Heroically Greg kept going; but this may well have rendered our singer temporarily innumerate.
. , , , , , . , , , . And another from ET
...
. - ? . .
, , 1969 , http://www.jimi-hendrix.com , 1969 . - 14 1969 :
"May 14, 1969 Record Plant, New York City, New York [Studio Recordings]. TAPE LOG: Freedom // Jam 292 // Untitled Jam // Horn & Piano Jam - Backed by Mitch Mitchell, bassist Billy Cox, and organist Sharon Layne, Jimi recorded "Jam 292", which was later posthumously issued as part of Jimi Hendrix:Blues. Later that evening, the group was joined by an unnamed trumpet player who contributed to series of untitled instrumental jams before the session concluded."
14 1969 - . - Jimi Hendrix:blues(Polydor, 521037-2, 1994 ). JELLY 292, :
JELLY 292(by Jimi Hendrix). Recorded between 7:15 and 7:45 a.m. on May 14, 1969 at the Record Plant. Bob Hughes was engineer, but the ensemble personnel remains a mystery. This cut is the first of several takes, a later one of which appeared as Jam 292on the Loose Ends album (1974).
, 14 1969 . ΅
ET, , , ?
ET#1162 Saturday, 6 December http://www.elephant-talk.com/digests/et1162.htmFrom: Turusinov, Andrei S. Sent: Thursday, December 04, 2003 11:28 AM To: `[email protected]`Subject: Fripp & Hendrix - 2nd Dear Mr.Fripp, Thank you very much for your answer to my ET posting in your diary on December the 2nd.
,
Pardon my stubbornness, but I still have a problem with that Hendrix handshake, simply because it is so easy to check Jimi`s activities on the 14th of May, 1969, here http://www.jimi-hendrix.com/encyclopedia/document,19690514,1.html:
, , , , 14 1969 :
"May 14, 1969 Record Plant, New York City, New York [Studio Recordings]. TAPE LOG: Freedom // Jam 292 // Untitled Jam // Horn & Piano Jam - Backed by Mitch Mitchell, bassist Billy Cox, and organist Sharon Layne, Jimi recorded "Jam 292", which was later posthumously issued as part of Jimi Hendrix:Blues. Later that evening, the group was joined by an unnamed trumpet player who contributed to series of untitled instrumental jams before the session concluded."
14 1969 , Record Plant, ( ). : Freedom // Jam 292 // Untitled Jam // Horn & Piano Jam , , Jam 292, Jimi Hendrix: Blues. ( ), .
Could it be a different Hendrix? A double? Someone who looked like him?
? ? , ? Best regards, Andrei
. , .
2 ? ? ? ? ? ? ҅
.
1. . -. : , , . -, , !
, , , .
2. , , YPGTKC. , .
.
? , , . , , . , , . 28 . - .
(16 2003 .)
, . . online 22 2003 , 17 2003 . , .
I am unable to comment on this. Hendrix was dressed in white, his right arm in a sling, and shone. So, no idea I`m afraid.
. , , . , , .
, . . Revolution, . . . ! (Thats my Hendrix story), . .
. .
(26 2003 )
, " " - The 21st Century Guide to King Crimson (The Volume One 1969-1974), 2004 Discipline Global Mobile (DGM043). ( 2005)
: Jimi Hendrix "Nine To The Universe" (p)1980 Warner Bros./Reprise Records XHS2299 (Made in Canada). , . . , , 14 1969 - Record Plant.
(1980 ) , 14 1969 -, . The Young Persons` Guide to King Crimson . , King Crimson . .
(4 2005 )
80- . , .
, Elephant Talk : We have a number of articles by Robert, and some other contributions (Please note that most of these article have been removed from ET Web by request of DGM. The intent is that Robert Fripp will host these and other writings at the DGM web site. Look for them there in the future.).
MPL Musician, Player and Listener
"The New Realism: A Musical Manifesto for the 80s." MPL 22 (Jan. 1980) "Touring: The Troubadour Today." MPL 28 (Nov. 1980) "The Musician in Politics." MPL 29 (Dec. 1980) "Bootlegging, Royalties, and the Moment." MPL 32 (April-May 1981)
. - " ...". .
.
Sven`a L.
The New Realism
A MUSICAL MANIFESTO FOR THE 80s
Record sales aren`t all that`s coming down. The mega-industrial dinosaurs of the music industry are toppling into the tar-pits of the new smaller economy. The new creatures, the smaller, more adaptive, warm-blooded mammals, like you and me and your favorite artists, have to find new ways to stay alive and still be creative. Them good old days are gone.
By Robert Fripp
It is paradoxical that while music itself shows signs of ever increasing vitality, the music industry has never been in poorer health. I`m intrigued to find that as the industry publicly paddles in the tar pits, the performance and enjoyment of music, at least from a New York perspective, increases markedly, with a proliferation of new clubs, groups, and an expanded audience. Meanwhile, a friend of mine continues to make records with his manager attending mixing sessions in order to pass approval on the final mix - or veto them if they aren`t "commercial" enough. This "commercial" act has in turn had massive record returns from the shops, (of mixes guaranteed "commercial" by He-of-The-Green-And-$-Shaped-Ears), large unsecured advances, and a large deficit resulting from touring with an extravagant stage show and expensive band of session musicians (on large retainers while not working in the studio...).
In Europe, the craft is the art, and success follows the craft. In America, success is the art, and the craft the means. The implication is that the means of achieving success are irrelevant, in a commercial culture success is accorded the highest social esteem. Consider this example from the music industry`s conventional wisdom:
1. One does not make an album, one makes a hit album.
2. Hit albums result from hit singles.
3. It follows that unless an album has a single which will receive air play, it need not be made.
4. Commercial radio does not play records unless they are already hits.
5. So it follows that unless an album is already a hit, it should not be recorded!
Frequently, the shape of an album is decided by a Manager and Big Ears from the record company, who will forecast the reaction of Radio Ears, possibly consulting a friendly neighborhood program director in the process. These people will judge the record`s chart potential as defined by established commercial practice. (A potential Peter Gabriel single, "I Don`t Remember" was considered by Atlantic Ears to have No Hit Potential because it, couldn`t receive radio air play on account of Fripp`s "irritant" guitar playing.)
As radio plays close attention to the charts, so too do record companies. Charts are compiled partly by monitoring radio play, (which is unlikely until the record is already charted by having been played), partly by advertising with the publications listing charts, and partly by the number of records shipped to stores. It has been standard practice to ship high numbers of records in order to "earn" a gold album and chart attention, and to generate radio play and then sales, Often colossal numbers of records are returned to the company, producing large scale market distortion, dislocation of retail accounts, and generating an atmosphere of pessimism. These elaborate contradictions are known synonymously as double binds, whirligigs, and knots.
The New Realism
New music will not` have a market history, Without history, it will not appeal to Manager Ears, Record Ears, or Radio Ears. By my own observations, hip executives are between two and five years behind current taste. (This is particularly recognized in the Disco industry, where Street Ears are being appointed to positions of responsibility.) Even if one succeeds in making a contemporary and non-format album, it is unlikely to receive the kind of financial backing necessary to underwrite the kind of tour support and advertising needed to properly introduce a new work. On the other hand, if one does receive executive level support, one immediately knows that one`s work is historical.
For example: I attended, a dinner given for a band of my personal and professional acquaintance by our mutual record company at a cost of $8,000. This was only a small part of a large promotional push during which some 150,000 albums were shipped. I, myself, received a total of $5,000 non-recoverable tour support for two months in America as part of the Frippertronics World Tour of offices, canteens, salesmen`s conferences, record shops, small cinemas and restaurants. My album, Exposure, outsold the other group at a fraction of their budget, following high returns of their record. However, the group`s new record is receiving radio interest because of the good (actually fabricated by initial overshipping) chart position of the previous album.
Some Helpful Hints on the Care and Feeding of Dinosaurs
1. Any system becomes fixed at its moment of inception.
2. Once established, a system`s first aim will contradict the aim of its creation: i.e.... its first aim becomes sell -perpetuation. - The President is elected to serve and govern the people, upon election his aim then becomes re-election. This may not be in the people`s best interest, as we discovered with the Watergate fiasco.
3. Any fixed system perceives a creative element as an implicit threat, as a creative element increases hazard, and thus the likelihood of change within the status quo.
Raising Mammals for Fun and Profit
1. Intelligence is the capacity to perceive rightness. Some concepts of intelligence define it as a measure of adaptability. I conceive of intelligence partly as the capacity to choose appropriate courses of action in dynamic conditions where there is not sufficient information for rational decisions. In E.F. Schumacher`s terminology, this is "divergent" as distinct from "convergent` problem solving, where formulaic solutions to mechanistic situations
: http://indoorgames.boom.ru ( , . 2003) -http://www.guestbook.ru/book.php?user=IndoorGames&action=show&language=english
Sven L. (13 2003 )
KING CRIMSON : "", "", 2000 3,000 . ISBN 5-306-00043-6
KING CRIMSON, -. - ? , . , : , , KING CRIMSON, . . " " - , , - . " " - , , , . " " - : , , . " " - , KING CRIMSON , , . " " - , . , 60 - 70 , KC . " KING CRIMSON" - , . , . , , KING CRIMSON .
... FUZZ 3 2001
! , , Fuzz. , , , . , , , - King Crimson. , . , .
. , , KING CRIMSON, . , ? : " " - , , - . King Crimson? , ? The Young Persons` Guide to King Crimson . . , ( 26 320 !) , . , - , - . , .
-, " " - , , , . , , (.33-133). . , . , , , . Starless and Bible Black , . , , . Ladies of the Road .
" " - : , , . .134-203. , - King Crimson, (Copyright 1990-2003 by John Relph.) - www.elephant-talk.com .
" " - , KING CRIMSON , , . (. 204-235) - , (John Green), , , . : http://www.songsouponsea.com/Promenade/ChapterOne.html
- " " - , . , 60 - 70 , KC . The Young Persons` Guide to King Crimson, . - , . , .236-309.
: KING CRIMSON - , . , . -, , . -, . (Barry Godber) . , , , . (, , ) , , , , , , .
, , KING CRIMSON . , , !!?? - . , , King Crimson, (Sid Smith In The Court of King Crimson - http://www.inthecourtofkingcrimson.com), (Eric Tamm Robert Fripp: from King Crimson to Guitar Craft -http://www.progressiveears.com/frippbook/contents.htm).
, - , 2000 , , . , : - , , . : 320 26, , ! 3 , , , , . , - . King Crimson .
- 309: , . . .
(14 2003 .)
, . , , 14 1969 , (Jimi Hendrix), King Crimson. , . .
, `Scuse me While I Kiss the Sky (The Life of Jimi Hendrix) by David Henderson (c)Omnibus Press, 2002. , , , , , 14 1969 , ! , -, . , - , , , , ! , Elephant Talk, #1159 30 2003 .
ET#1159 Sunday, 30 November 2003 http://www.elephant-talk.com/digests/et1159.htm From: Turusinov, Andrei S. Sent: Thursday, November 27, 2003 3:35 PM To: `
1981-, Discipline Basing Street, Portobello Hotel. , Portobello Road. , , , Bello. , , . , 1969 . , , . Bello . , Revolution.
LL: Do you remember when Hendrix came to see you at the Revolution Club?
: Revolution?
RF: Of course! That`s my Hendrix story.
: ! .
LL: Did you know that I was sitting on the table next to him?
: , ?
RF: No.
: .
LL: He was jumping up & down, saying this is the best band in the world.
: !
The guesstimates of the audience size, on the day, reached even 1 million. And, while not disputing Greg`s capacity to count, it might be wise to remember that a large cut-out of Brian Jones, on the stage immediately behind Greg, fell and landed on his head. Heroically Greg kept going; but this may well have rendered our singer temporarily innumerate.
. , , , , , . , , , . And another from ET
...
. - ? . .
, , 1969 , http://www.jimi-hendrix.com , 1969 . - 14 1969 :
"May 14, 1969 Record Plant, New York City, New York [Studio Recordings]. TAPE LOG: Freedom // Jam 292 // Untitled Jam // Horn & Piano Jam - Backed by Mitch Mitchell, bassist Billy Cox, and organist Sharon Layne, Jimi recorded "Jam 292", which was later posthumously issued as part of Jimi Hendrix:Blues. Later that evening, the group was joined by an unnamed trumpet player who contributed to series of untitled instrumental jams before the session concluded." 
14 1969 - . - Jimi Hendrix:blues(Polydor, 521037-2, 1994 ). JELLY 292, :
JELLY 292(by Jimi Hendrix). Recorded between 7:15 and 7:45 a.m. on May 14, 1969 at the Record Plant. Bob Hughes was engineer, but the ensemble personnel remains a mystery. This cut is the first of several takes, a later one of which appeared as Jam 292on the Loose Ends album (1974).
, 14 1969 . ΅
ET, , , ?
ET#1162 Saturday, 6 December http://www.elephant-talk.com/digests/et1162.htmFrom: Turusinov, Andrei S. Sent: Thursday, December 04, 2003 11:28 AM To: `
I am unable to comment on this. Hendrix was dressed in white, his right arm in a sling, and shone. So, no idea I`m afraid.
. , , . , , .
, . . Revolution, . . . ! (Thats my Hendrix story), . .
. .
(26 2003 )
, " " - The 21st Century Guide to King Crimson (The Volume One 1969-1974), 2004 Discipline Global Mobile (DGM043).
( 2005)
: Jimi Hendrix "Nine To The Universe" (p)1980 Warner Bros./Reprise Records XHS2299 (Made in Canada). , . . , , 14 1969 - Record Plant.
(1980 ) , 14 1969 -, . The Young Persons` Guide to King Crimson . , King Crimson . .
(4 2005 )
"" (Wacław Panek) , 1976 .
30 "na Powazkach" 13 . .
.
- Bartosz Bobkowski / AG
. Sven L.
( 2004 .)
. .
c
, ? , ? , ? ? ? ? ? ? -? ? XX ? ? -? ? ? ? ? - , ?
. , . , . , , .
, ó, . , , . , . , , , , , : .
?
. , .
(), 16 1939 . [ , , , 23 1939 - - ]. , 1954 . , , .
. -- , , , ( -).
1962 , I , Niebesko-Czarni (-). Błęnkitne pończochy ( ), . 1963 , : Wiem, że nie wrócisz, (, ), Czas jak rzeka ( ), Czy mnie jeszcze pamiętasz ( ). Mutter, Hast Du Mir Vergeben. : , , , , , . ( N-C); 2 (Rennes) Prix Spećial du Jury Hermine dArgent; AZ.
1966 N-C, Akwarele (). , Dziwny jest ten świat ( ), Polskie Nagrania . 1968 : Dziwny jest ten świat, Sukces (), Czy mnie jeszcze pamiętasz ( ). 1968 MIDEM , Polskie Nagrania . - Billboard 1968 . 1969 . , , Niemen Enigmatic ( ), -. (Wiersze), (Asnyk), (Norwid), (Tetmajer) (Kubiak). (Bema pamięnci żalobny rapsod), (TVP). (Marek Piwowski) Sukces, .
Niemen Enigmatic ( , Niemen) , . , . CBS 3 : Strange Is This World ( ), Ode to Venus ( ) Czesław Niemen Russische Lieder ( ), , . . Dziwny jest ten świat 3- CBS, The Music People. , Andrzej Kurylewicz muzyka telewizyjna i teatralna ( ). (Andrzej Wajda) Wesele () (Chochoł) (Złotym Rogu). (Janusz Kondriatiuk) (Dziewczyny do wzięcia).
Niemen Polskie Nagrania Niemen. Requiem dla Van Gogha ( ) Piosenka dla zmarłej ( ).
1973 - 2 , CBS (Mihał Urbaniak).
1974 , Grupa Niemen : (Andrzej Nowak) , (Jacek Gazda) -, (Sławomir Piwowar) -, (Piotr Dziemski) (Jan Błęndowski) , . 1974 ( , ).
1974 - (Złoty Krzyż Zasługi).
, , . , . , , , , , . , . (M.Sewen) , , . , , , . .
, , , , , .
.
, . , - , , , . , , . , , . . , . , , , . (1973)
, - , , . (1973)
. . ? . , , , . . . : . , , , . (1969)
. , . , , . , . [] , . , , , , . [] ; . , ; . (1972).
. . , . . , . , , á , . . (1972)
, . . ? , bel canto. , . , , . , , , , , . , , . [] , , , , , . , . (1968)
, . . . , , , . . , . , . (1969)
.
, , , , . , , . , , , , - .
, , , ( ), . . , , , . , , , , , . , , . . , . , , . (1972)
, , , , , . , , , . (1972)
. , , , . , . [] , , [ Dziwny jest ten świat ]. , , , - . , . , . !. (1968)
. , , ; , . , . . . , , , , . , , []. , , , . - , , , . , . , ( ) . (1972)
, . , , , . (1972)
, Sala Kongresowa , , . , 25 000 , , , 40 000 . , ( ) 40 000 39 000 (.. 1 000 ). - , Sala Kongresowa . ; , . , , , , , . , , . . , . . , . . . (1971)
, . . (1972)
, , . , : , , ; , . - , . , - ? , . , []. , , , : , , , ; , . . . , . , , . , - , , . . , . (1973)
- . , , . , , . , ? (1969)
, , . . , (1974)
, , . . , , , . , . . . [] , , , . , , . , . .
[] . . , . , . . ( 1973)
CBS . 1975 . CBS, , 3 - Dziwny jest ten swiat, Oda do Wenus, . . , . , . -, , , . . [] Pan Cogito . . . , Panu Cogito. , 4- . [] , , . , , . . , . , . [] GRUPA NIEMEN : Andrzej Nowak , Jacek Gazda , Slawomir Piwowar , Piotr Dziemski . , , synthi EKS . ( 1974)
, , . . . , ; , (1974)
: itd, Expresu Poznanskiego, Jazz Forum, Dziennika Ludowego, Dziennika Polskiego, Nowej Wsi, Na Przelaj, Kuriera Polskiego, Kuriera Szczecinskiego, Gazety Chenstohowskiej, Panoramy Polnocy, Za i Przeciw, Wiadomosti, Filmu, Sztandaru Mlodyh, Glosu Szczecinskiego.
, Czeslaw Niemen: ? ? ? , -, ? ? , ? ? ? ? ? ? ? ? ? ? ? (Otis Redding)? Dziwny jest ten swiat ? , ?
, .
Sven L.
( )
