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Early American and Colonial Period to 1776




American literature begins with the orally transmitted myths, legends, tales, and lyrics (always songs) of Indian cultures.

There was no written literature among the more than 500 different Indian languages and tribal cultures that existed in North America before the first Europeans arrived. As a result, Native American oral literature is quite diverse. Narratives from quasi‐nomadic hunting cultures like the Navajo are different from stories of settled agricultural tribes such as the pueblo‐dwelling Acoma; the stories of northern lakeside dwellers such as the Ojibwa often differ radically from stories of desert tribes like the Hopi.

Tribes maintained their own religions ‐‐ worshipping gods, animals, plants, or sacred persons. Systems of government ranged from democracies to councils of elders to theocracies. These tribal variations enter into the oral literature as well. Still, it is possible to make a few generalizations. Indian stories, for example, glow with reverence for nature as a spiritual as well as physical mother. Nature is alive and endowed with spiritual forces; main characters may be animals or plants, often totems associated with a tribe, group, or individual. The closest to the Indian sense of holiness in later American literature is Ralph Waldo Emerson's transcendental "Over‐Soul," which pervades all of life.

The Mexican tribes revered the divine Quetzalcoatl, a god of the Toltecs and Aztecs, and some tales of a high god or culture were told elsewhere. However, there are no long, standardized religious cycles about one supreme divinity. The closest equivalents to Old World spiritual narratives are often accounts of shamans initiations and voyages. Apart from these, there are stories about culture heroes such as the Ojibwa tribe's Manabozho or the Navajo tribe's Coyote. These tricksters are treated with varying degrees of respect. In one tale they may act like heroes, while in another they may seem selfish or foolish. Although past authorities, such as the Swiss psychologist Carl Jung, have deprecated trickster tales as expressing the inferior, amoral side of the psyche, contemporary scholars ‐‐ some of them Native Americans ‐‐ point out that Odysseus and Prometheus, the revered Greek heroes, are essentially tricksters as well.

Examples of almost every oral genre can be found in American Indian literature: lyrics, chants, myths, fairy tales, humorous anecdotes, incantations, riddles, proverbs, epics, and legendary histories. Accounts of migrations and ancestors abound, as do vision or healing songs and tricksters' tales. Certain creation stories are particularly popular. In one wellknown creation story, told with variations among many tribes, a turtle holds up the world. In a Cheyenne version, the creator, Maheo, has four chances to fashion the world from a watery universe. He sends four water birds diving to try to bring up earth from the bottom. The snow goose, loon, and mallard soar high into the sky and sweep down in a dive, but cannot reach bottom; but the little coot, who cannot fly, succeeds in bringing up some mud in his bill. Only one creature, humble Grandmother Turtle, is the right shape to support the mud world Maheo shapes on her shell ‐‐ hence the Indian name for America, "Turtle Island."

The songs or poetry, like the narratives, range from the sacred to the light and humorous: There are lullabies, war chants, love songs, and special songs for children's games, gambling, various chores, magic, or dance ceremonials. Generally the songs are repetitive. Short poem‐songs given in dreams sometimes have the clear imagery and subtle mood associated with Japanese haiku or Eastern‐influenced imagistic poetry. A Chippewa song runs:

A loon I thought it was

But it was

My love's

splashing oar.

Vision songs, often very short, are another distinctive form. Appearing in dreams or visions, sometimes with no warning, they may be healing, hunting, or love songs. Often they are personal, as in this Modoc song:

I

the song

I walk here.

Indian oral tradition and its relation to American literature as a whole is one of the richest and least explored topics in American studies. The Indian contribution to America is greater than is often believed. The hundreds of Indian words in everyday American English include "canoe," "tobacco," "potato," "moccasin," "moose," "persimmon," "raccoon," "tomahawk," and "totem." Contemporary Native American writing also contains works of great beauty.

After 1680 large numbers of immigrants came from Germany, Ireland, Scotland, Switzerland and France; and England ceased to be the chief source of immigration. Again, the new settlers came for various reasons. Thousands fled from Germany to escape the path of war. Many left Ireland to avoid the poverty induced by government oppression and absentee‐landlordism, and from Scotland and Switzerland, too, people came fleeing the specter of poverty. By 1690, the American population had risen to a quarter of a million. From then on, it doubled every 25 years until, in 1775, it numbered more than two and a half million.

For the the most part, non‐English colonists adapted themselves to the culture of the original settlers. But this did not mean that all settlers transformed themselves into Englishmen. True, they adopted the English language and law and many English customs, but only as these had been modified by conditions in America. The result was a unique culture‐a blend of English and continental European conditioned by the environment of the New World.

Although a man and his family could move from Massachusetts to Virginia or from South Carolina to Pennsylvania, without making many basic readjustments, distinctions between individual colonies were marked. They were even more marked between regional groups of colonies.

The settlements fell into fairly well‐defined sections determined by geography. In the south, with its warm climate and fertile soil, a predominately agrarian society developed. New England in the northeast, a glaciated area strewn with boulders, was inferior farm country, with generally thin, stony soil, relatively little level land, short summers, and long winters. Turning to other pursuits, the New Englanders harnessed water power and established gristmills and sawmills. Good stands of timber encouraged shipbuilding. Excellent harbors promoted trade, and the sea became a source of great wealth. In Massachusetts, the cod industry alone quickly furnished a basis for prosperity.

Settling in villages and towns around the harbors, New Englanders quickly adopted an urban existence, many of them carrying on some trade or business. Common pastureland and common wood‐lots served the needs of townspeople, who worked small farms nearby. Compactness made possible the village school, the village church, and the village or town hall, where citizens met to discuss matters of common interest. Sharing hardships, cultivating the same rocky soil, pursuing simple trades and crafts, ‐ New Englanders rapidly acquired characteristics that marked them as a self‐reliant, independent people.

These qualities had manifested themselves in the 102 seaweary Pilgrims who first landed on the peninsula of Cape Cod, projecting into the Atlantic from southeastern Massachusetts. They had sailed to America under the auspices of the London (Virginia) Company and were thus intended for settlement in Virginia, but their ship, the Mayflower* made its landfall far to the north. After some weeks of exploring, the colonists decided not to make the trip to Virginia but to remain where they were. They chose the area near Plymouth harbor as a site for their colony, and though the rigors of the first winter were severe, the settlement survived.

*IN The Name of God, Amen. We, whose names are underwritten, the Loyal Subjects of our dread Sovereign Lord King James, by the Grace of God, of Great Britain, France, and Ireland, King, Defender of the Faith, &c. Having undertaken for the Glory of God, and Advancement of the Christian Faith, and the Honor of our King and Country, a Voyage to plant the first colony in the northern Parts of Virginia; Do by these Presents, solemnly and mutually in the Presence of God and one another, covenant and combine ourselves together into a civil Body Politick, for our better Ordering and Preservation, and Furtherance of the Ends aforesaid; And by Virtue hereof do enact, constitute, and frame, such just and equal Laws, Ordinances, Acts, Constitutions, and Offices, from time to time, as shall be thought most meet and convenient for the general Good of the Colony; unto which we promise all due Submission and Obedience. In WITNESS whereof we have hereunto subscribed our names at Cape Cod the eleventh of November, in the Reign of our Sovereign Lord King James of England, France, and Ireland, the eighteenth and of Scotland, the fifty‐fourth. Anno Domini, 1620 John Carver Edward Tilley Degory Priest

William Bradford John Tilley Thomas Williams Edward Winslow Francis Cooke Gilbert Winslow William Brewster Thomas Rogers Edmund Margeson Issac Allerton Thomas Tinker Peter Browne Myles Standish John Rigdale Richard Britteridge John Alden Edward Fuller Georoe Soule Samuel Fuller John Turner Richard Clarke Christopher Martin Francis Eaton Richard Gardiner

William Mullins James Chilton John Allerton William White John Crackston Thomas English Richard Warren John Billington Edward Dotey John Howland Moses Fletcher Edward Leister Stephen Hopkins John Goodman





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