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√лава 27. ’удожественные универсалии

» австрийский экспрессионизм


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Cohen, P. Next big thing in English: Knowing they know that you know // New York Times, April 1, 2010.

Darwin, C. On the Origin of Species by Means of Natural Selection. New York: Appleton-Century-Crofts, 1859.

Darwin, C. The Descent of Man and Selection in Relation to Sex. New York: Appleton-Century-Crofts, 1871.

Darwin, C. The Expression of the Emotions in Man and Animals. New York: Appleton-Century-Crofts, 1872.

Dijkstra, B. Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture. New York: Oxford University Press, 1986.

Dissanayake, E. What Is Art For? Seattle: University of Washington Press, 1988.

Dissanayake, E. Homo Aestheticus: Where Art Came from and Why. Seattle: University of Washington Press, 1995.

Dutton, D. The Art Instinct: Beauty, Pleasure, and Human Evolution. New York: Bloomsbury Press, 2009.

Fechner, G. T. Introduction to Aesthetics. Leipzig: Breitkoff & Hartel, 1876.

Hughes, R. Lucian Freud: Paintings. London: Thames and Hudson, 1987.

Iverson, S., Kupfermann, I., and E. R. Kandel Emotional States and Feelings / In: Principles of Neural Science. 4th ed. E. R. Kandel, J. H. Schwartz, T. Jessell, eds. New York: McGraw-Hill, 2000. Pp. 982Ц997.

Kimball, R. Nice things // Times Literary Supplement, March 20, 2009: 10Ц11.

Kris, E. Psychoanalytic Explorations in Art. New York: International Universities Press, 1952.

Kris, E., and E. H. Gombrich The Principles of Caricature // British Journal of Medical Psychology 17 (1938): 319Ц342.

Lang, P. J. The varieties of emotional experience: A meditation on James Ц Lange theory // Psychological Review 101 (1994): 211Ц221.

Lindauer, M. S. Physiognomy and art: Approaches from above, below, and sideways // Visual Art Research 10 (1984): 52Ц65.

Mellars, P. Archaeology: Origins of the female image // Nature 459 (2009): 176Ц177.

Natter, T. Portraits of Characters, Not Portraits of Faces: An Introduction to KokoschkaТs Early Portraits / In: Oskar Kokoschka: Early Portraits of Vienna and Berlin, 1909Ц1914. New York: Neue Galerie, 2002.

Pinker, S. How the Mind Works. New York: W. W. Norton, 1999.

Pinker, S. The Blank Slate. New York: Viking Penguin, 2002.

Ramachandran, V. S. The science of art: A neurological theory of aesthetic experience // Journal of Consciousness Study 6 (1999): 15Ц51.

Ryan, T. A., and C. B. Schwartz Speed of perception as a function of mode of representation // American Journal of Psychology 69 (1) 1956: 60Ц69.

Riegl, A. The Group Portraiture of Holland. Intro. by W. Kemp. Los Angeles: Getty Research Institute for the History of Art and the Humanities, 1999.

Singer, T., Seymour, B., OТDoherty, J., Kaube, H., Dolan, R. J., and C. D. Frith Empathy for pain involves the affective but not sensory components of pain // Science 303 (2004): 1157Ц1162.

Stocker, M. Judith: Sexual Warriors: Women and Power in Western Culture. New Haven: Yale University Press, 1998.

Tooby, J., and L. Cosmides Does beauty build adapted minds? Toward an evolutionary theory of aesthetics, fiction and the arts // SubStance 94/95 (30) 2001: 6Ц27.

Zeki, S. Inner Vision: An Exploration of Art and the Brain. New York: Oxford University Press, 1999.


√лава 28. “ворческий мозг


Andreasen, N. C. The Creating Brain: The Neuroscience of Genius. New York: Dana Press, 2005.

Andreasen, N. C. A Journey into Chaos: Creativity and the Unconscious // Mens Sana Monographs 9 (1) 2011: 42Ц53.

Berenson, B. The Italian Painters of the Renaissance. Oxford: Oxford University Press, 1930.

Bever, T. G., and R. J. Chiarello Cerebral dominance in musicians and nonmusicians // Science 185 (4150) 1974: 537Ц539.

Bowden, E. M., and M. J. Beeman Getting the right idea: Semantic activation in the right hemisphere may help solve insight problems // Psychological Science 9 (6) 1998: 435Ц440.

Bowden, E. M., and M. Jung-Beeman Aha! Insight experience correlates with solution activation in the right hemisphere // Psychonomic Bulletin and Review 10 (3) 2003: 730Ц737.

Bowden, E. M., Jung-Beeman, M., Fleck, J., and J. Kounios New approaches to demystifying insight // Trends in Cognitive Sciences 9 (7) 2005: 322Ц328.

Bower, B. Mood swings and creativity: New clues // Science News, October 24, 1987.

Changeux, J. P. Art and neuroscience // Leonardo 27 (3) 1994: 189Ц201.

Christian, B. Mind vs. machine: Why machines will never beat the human mind // Atlantic Magazine, March 2011.

Damasio, A. The somatic marker hypothesis and the possible functions of the prefrontal cortex // Proceedings of the Royal Society of London B 351 (1996): 1413Ц1420.

Damasio, A. Self Comes to Mind: Constructing the Conscious Brain. New York: Pantheon Books, 2010.

De Bono, E. Lateral Thinking: Creativity Step by Step. New York: Harper Colophon, 1973.

Edelman, G. Neural Darwinism: The Theory of Neuronal Group Selection. New York: Basic Books, 1987.

Fleck, J. I., Green, D. L., Stevenson, J. L., Payne, L., Bowden, E. M., Jung-Beeman, M., and J. Kounios The transliminal brain at rest: Baseline EEG, unusual experiences, and access to unconscious mental activity // Cortex 44 (10) 2008: 1353Ц1363.

Freedman, D. J., Riesenhuber, M., Poggio, T., and E. K. Miller Categorical representation of visual stimuli in the primate prefrontal cortex // Science 291 (2001): 312Ц316.

Gardner, H. Art, Mind, and Brain: A Cognitive Approach to Creativity. New York: Basic Books, 1982.

Gardner, H. Frames of Mind: The Theory of Multiple Intelligences. New York: Basic Books, 1983.

Gardner, H. Creating Minds: An Anatomy of Creativity as Seen Through the Lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham, and Gandhi. New York: Basic Books, 1993.

Gardner, H. Five Minds for the Future. Boston: Harvard Business School Press, 2006.

Geake, J. G. The neurological basis of intelligence: Implications for education: An abstract // Gifted and Talented (9) 1 2005: 8.

Geake, J. G. Mathematical brains // Gifted and Talented (10) 1 2006: 2Ц7.

Goldberg, E., and L. D. Costa Hemisphere differences in the acquisition and use of descriptive systems // Brain Language 14 (1981): 144Ц173.

Gombrich, E. H. The Story of Art. London, Phaidon Press, 1950.

Gombrich, E. H. Art and Illusion: A Study in the Psychology of Pictorial Representation. Princeton and Oxford: Princeton University Press, 1960.

Gombrich, E. H. The Essential Gombrich: Selected Writings on Art and Culture. R. Woodfield, ed. London, Phaidon Press, 1996.

Gross, C. Left and Right in Science and Art / In: A Hole in the Head: More Tales in the History of Neuroscience. Cambridge, MA: MIT Press, 2009. Pp. 131Ц160.

Hawkins, J., and S. Blakeslee On Intelligence. New York: Henry Holt, 2004.

Holton, G. The Scientific Imagination: Case Studies. Cambridge: Cambridge University Press, 1978.

Jackson, J. H. Loss of speech: Its association with valvular disease of the heart, and with hemiplegia on the right side. Defects of smell. Defects of speech in chorea. Arterial regions in epilepsy // London Hospital Reports Vol. 1 (1864): 388Ц471.

James, W. What is an emotion? // Mind 9 (1884): 188Ц205.

Jamison, K. R. Exuberance: The Passion for Life. New York: Vintage Books; Random House, 2004.

Jung-Beeman, M., Bowden, E. M., Haberman, J., Frymiare, J. L., Arambel-Liu, S., Greenblatt, R., Reber, P. J., and J. Kounios Neural activity observed in people solving verbal problems with insight // PloS Biology 2 (4) 2004: 0500Ц0510.

Jung-Beeman, M. Bilateral brain processes for comprehending natural language // Trends in Cognitive Sciences 9 (11) 2005: 512Ц518.

Kounios, J., Fleck, J. I., Green, D. L., Payne, L., Stevenson, J. L., Bowden, E. M., and M. Jung-Beeman The origins of insight in resting-state brain activity // Neuropsychologia 46 (2007): 281Ц291.

Kounios, J., Frymiare, J. L., Bowden, E. M., Fleck, J. I., Subramaniam, K., Parrish, T. B., and M. Jung-Beeman The prepared mind: Neural activity prior to problem presentation predicts subsequent solution by sudden insight // Psychological Science 17 (2006): 882Ц890.

Kris, E. Psychoanalytic Explorations in Art. New York: International Universities Press, 1952.

Kurzweil, R. The Singularity Is Near: When Humans Transcend Biology. New York: Viking, 2005.

Lehrer, J. The Eureka hunt: Why do good ideas come to us when they do? // New Yorker, July 28, 2008: 40Ц45.

Markoff, J. Computer wins on УJeopardy!Ф Trivial, itТs not // New York Times, February 17, 2011: A1.

Martin, A., Wiggs, C. L., and J. Weisberg Modulation of human medial temporal lobe activity by form, meaning, or experience // Hippocampus 7 (1997): 587Ц593.

Martinsdale, C. The Biological Basis of Creativity / In: Handbook of Creativity. R. J. Steinberg, ed. New York: Cambridge University Press, 1999.

Max, D. T. A chess star that emerges from the post-computer age // New Yorker, May 21, 2011: 40Ц49.

McGilchrist, I. The Master and His Emissary: The Divided Brain and the Making of the Western World. New Haven and London: Yale University Press, 2009.

Miller, A. I. Insights of Genius: Imagery and Creativity in Science and Art. New York: Copernicus, 1996.

Miller, E. K., and J. D. Cohen An integrative theory of prefrontal cortex function // Annual Review of Neuroscience 24 (2001): 167Ц202.

Podro, M. Depiction. New Haven: Yale University Press, 1998.

Rabinovici, G. D., and B. L. Miller Frontotemporal lobar degeneration: Epidemiology, pathophysiology, diagnosis, and management // CNS Drugs 24 (5) 2010: 375Ц398.

Ramachandran, V. S. The Emerging Mind. The Reith Lectures. London: BBC, Profile Books, 2003.

Ramachandran, V. S. A Brief Tour of Human Consciousness: From Impostor Poodles to Purple Numbers. New York: Pearson Education, 2004.

Ramachandran, V. S., and W. Hirstein The science of art: A neurological theory of aesthetic experience // Journal of Consciousness Studies 6 (6Ц7) 1999: 15Ц51.

Riegl, A. The Group Portraiture of Holland. Intro. by W. Kemp. Los Angeles: Getty Research Institute for the History of Art and the Humanities, 1999.

Sacks, O. An Anthropologist on Mars: Seven Paradoxical Tales. New York: Alfred A. Knopf, 1995.

Schooler, J. W., Ohlsson, S., and K. Brooks Thoughts beyond words: When language overshadows insight // Journal of Experimental Psychology 122 (1993): 166Ц183.

Searle, J. R. Minds, brains, and programs // Behavioral and Brain Sciences 3 (1980): 417Ц424.

Sinha, P., Balas, B., Ostrovsky, Y., and R. Russell Face recognition by humans: Nineteen results all computer vision researchers should know about // Proceedings of the IEEE 94 (11) 2006: 1948Ц1962.

Smith, R. W., and J. Kounios Sudden insight: All-or-none processing revealed by speedaccuracy decomposition // Journal of Experimental Psychology 22 (1996): 1443Ц1462.

Snyder, A. Explaining and inducing savant skills: Privileged access to lower level, less processed information // Philosophical Transactions of the Royal Society B 364 (2009): 1399Ц1405.

Subramaniam, K., Kounios, J., Parrish, T. B., and M. Jung-Beeman A brain mechanism for facilitation of insight by positive affect // Journal of Cognitive Neuroscience 21 (3) 2008: 415Ц432.

Treffert, D. A. The savant syndrome: an extraordinary condition. A synopsis: past, present, future // Philosophical Transactions of the Royal Society 364 (2009): 1351Ц1357.

Warrington, E., and E. M. Taylor Two categorical stages of object recognition // Perception 7 (1978): 695Ц705.


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