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The for-to-Infinitive Construction




The for-to- Infinitive Construction is a construction in which the infinitive is in predicate relation to a noun or pronoun preceded by the preposition for.

In translating this construction into Russian a subordinate clause or an infinitive is used.

The construction can have different functions in the sentence.1It can be:

 

1 All the observations concerning the infinitive as subject, object, attribute and adverbial modifier of result hold good when these parts of the sentence are expressed by the for-to- Infinitive Construction.

 

1. Subject (often with the introductory it).

 

For me to ask would be treason, and for me to be told would be treason.

(Wilson)

, ; ,

.

I sometimes think it is a shame for people to spend so much money this

way. (Dreiser)

, .

 

2. Predicative.

 

That was for him to find out. (Eliot)

.

3. Complex object.

He waited for her to speak. (Hardy)

, .

asked for the papers to be brought.

.

I am very anxious for Mr. Headstone to succeed in all he undertakes.

(Dickens)

, ,

.

Erik saw that she was impatient for him to be gone. (Wilson)

, , .

I hope you wont think it very odd for a perfect stranger to talk to you like

this. (Maugham)

, ,

.

 

4. Attribute.

 

The best thing for you to do is to bide here with your load.

Ill send somebody to help you. (Hardy)

, ,

. - .

There was really nothing for him to do but what he had done. (Dreiser)

, ,

(, , ,

).

Theres nobody here for him to play with. (Hemingway)

, .

had even had a comfortable house for her (his niece) to live in. (Trll)

, .

 

5. Adverbial modifier:

(a) of purpose.

 

Heres the thermometer: theyve left it for the doctor to see instead of

shaking it down. (Shaw)

; ,

.

stepped aside for me to pass. (Du Maurier)

, , .

 

(b) of result.

 

The pleasure of accompanying you was too great a temptation for me to

resist. (Collins)

,

.

But he had consented, and it was too late for him now to recede. (Trollope)

, .

spoke loud enough for you to hear.

, .

His experience of women was great enough for him to be aware that the

negative often meant nothing more than the preface to the affirmative.

(Hardy)

, ,

.

 

35. With the expressions to be sorry, to be glad the infinitive is used only if the subject of the sentence represents at the same time the doer of the action expressed by the infinitive.

 

I am glad (pleased) to have got a ticket for the concert.

I am glad to have seen you. (Dreiser)

I am very sorry to have done a man wrong, particularly when it cant be

undone. (Dickens)

 

In other cases a clause is used with to be glad and to be sorry.

 

I am glad you got a ticket for the concert.

I am glad you think so, returned Doyce, with his grey eye looking kind and

bright. (Dickens)

Chapter IX

THE ADVERB

 

1. The adverb is a part of speech which expresses some circumstances that attend an action or state, or points out some characteristic features of an action or a quality.

The function of the adverb is that of an adverbial modifier. An adverb may modify verbs (verbals), words of the category of state, adjectives, and adverbs.

 

Annette turned her neck lazily, touched one eyelash and said: He amuses

Winifred. (Galsworthy)

And glancing sidelong at his nephew he thought... (Galsworthy)

For a second they stood with hands hard clasped. (Galsworthy)

And now the morning grew so fair, and all things were so wide awake.

(Dickens)

The man must have had diabolically acute hearing. (Wells)

Harris spoke quite kindly and sensibly about it. (Jerome)

 

2. As to their structure adverbs are divided into:

(1) simple adverbs (long, enough, then, there, etc.);

(2) derivative adverbs (slowly, likewise, forward, headlong, etc.); (The most productive adverb-forming suffix is ‑ly. There are also some other suffixes: ‑wards, ‑ward; ‑long, ‑wise.)

(3) compound adverbs (anyhow, sometimes, nowhere, etc.);

(4) composite adverbs (at once, at last, etc.).

 

3. Some adverbs have degrees of comparison.

(a) If the adverb is a word of one syllable, the comparative degree is formed by adding ‑er and the superlative by adding -est.

 

fast faster fastest

hard harder hardest

 

(b) Adverbs ending in ‑ly form the comparative by means of more and the superlative by means of most.

 

wisely more wisely most wisely

beautifully more beautifully most beautifully

 

(c) Some adverbs have irregular forms of comparison:

 

well better best

badly worse worst

much more most

little less least

 

4. According to their meaning adverbs fall under several groups:

(1) adverbs of time (today, tomorrow, soon, etc.);

(2) adverbs of repetition or frequency (often, seldom, ever, never, sometimes, etc.);

(3) adverbs of place and direction (inside, outside, here, there, backward, upstairs, etc.);

(4) adverbs of cause and consequence (therefore, consequently, accordingly, etc.);

(5) adverbs of manner (kindly, quickly, hard, etc.);

(6) adverbs of degree, measure and quantity (very, enough, half, too, nearly, almost, much, little, hardly, rather, exceedingly, quite, once, twice, firstly, secondly, etc.).

Three groups of adverbs stand aside: interrogative, relative and conjunctive adverbs.

Interrogative adverbs (where, when, why, how) are used in special questions.

Conjunctive and relative adverbs are used to introduce subordinate clauses.1

Some adverbs are homonymous with prepositions, conjunctions2 and words of the category of state.3

 

1 See Chapter XVII, The Complex Sentence.

2 See Chapter XII, The Preposition.

3 See Chapter VI, The Words of the Category of State.

Chapter X

THE MODAL WORDS

 

1. The modal words express the attitude of the speaker to the reality, possibility or probability, of the action he speaks about.

 

2. According to their meaning modal words fall under the following main groups:

(1) words expressing certainty (certainly, surely, assuredly, of course, no doubt, apparently, undoubtedly, etc.);

(2) words expressing supposition (perhaps, maybe, possibly, probably, etc.);

(3) words showing whether the speaker considers the action he speaks about desirable or undesirable (happily unhappily; luckily unluckily; fortunately unfortunately).

 

3. In the sentence modal words are used as parentheses.1Sometimes they are used as sentence-words.2

 

1 See Chapter XV, The Simple Sentence.

2 Modal words used as sentence-words are similar to the words yes and no expressing affirmation and negation, which are also sentence-words.

 

Certainly youll admit we could finish all this in a month. (Wilson)

Will you allow me to detain you one moment, said he. Certainly,replied

the unwelcome visitor. (Dickens)

 

4. Most modal words have developed from adverbs, so very often there exists a formal identity between modal words and adverbs. For instance such modal words as certainly, surely, happily are homonymous with the adverbs certainly, surely, happily.

Such modal words as possibly, probably, indeed, also derived from adverbs, have no corresponding homonymous adverbs because the latter ceased to be used in Modern English.

Though formally identical with adverbs, modal words differ from them in meaning and syntactical function.

 

If he were not married as happily as he was, might not something come of it?

(Dreiser) (ADVERB)

...she hauled me to the washstand, inflicted a merciless, but happily brief

scrub on my face and hands with soap water, and a coarse towel... (Ch.

Bronte) (MODAL WORD)

Lamlein rose. We have fulfilled our obligations, he said pompously, and yet

not quite certainly. (Heym) (ADVERB)

Soames smiled. Certainly, uncle Jolyon had a way with him. (Galsworthy)

(MODAL WORD)

Slowly, surely, with the secret inner process that works the destruction of an

old tree, the poison of the wounds to his happiness, his will, his pride, had

corroded the comely edifice of his philosophy. (Galsworthy) (ADVERB)

Over the ridge she would find him. Surely she would find him over the ridge.

(Wells) (MODAL WORD)

 

Chapter XI

THE INTERJECTION

 

1. The interjection is a part of speech which expresses various emotions without naming them.

 

2. According to their meaning interjections fall under two main groups, namely emotional interjections and imperative interjections.

 

1. Emotional interjections express the feelings of the speaker. They are: ah, oh, eh, bravo, alas, etc.

 

...A man jumped on top of the barricade and waving exuberantly shouted,

Americans! Hurrah! (Heym) (joy)

Alas!The white house was empty and there was a bill in the window To let.

(Dickens) (sorrow)

Psha!Theres no possibility of being witty without a little, ill nature.

(Sheridan) (contempt)

Oh, bother! I cant see anyone now. Who is it? (Shaw) (indignation)

Dear me! says Mr. Chillip meekly smiling with something shining in his

eyes. (Dickens) (surprise)

 

2. Imperative interjections show the will of the speaker or his order or appeal to the hearer. They are: here, hush, sh-sh, well, come, now, etc.

 

Here! Ive had enough of this. Im going. (Shaw) (protest)

Upon my word I was not awake, sir, replied Oliver earnestly. I was not, indeed, sir. Tush, tush, my dear! said the Jew abruptly resuming his old manner. (Dickens) (order)

 

3. Interjections may be primary and secondary.

1. Primary interjections are not derived from other parts of speech. Most of them are simple words: ah, oh, eh, pooh, hum, fie, bravo, hush. Only a few primary interjections are composite: heigh-ho! hey-ho! holla-ho! gee-ho!

2. Secondary interjections are derived from other parts of speech. They are homonymous with the words they are derived from. They are: well, now, here, there, come, why, etc.

(Derivative interjections should not be confused with exclamation-words, such as nonsense, shame, good, etc.)

Derivative interjections may be simple: well, here, there, come, etc., and composite: dear me, confound it, hang it, etc.

Interjections are used as independent sentence-words or independent elements of the sentence.1

 

1 See Chapter XV, 42.

 

T h e D a u g h t e r: Sixpence thrown away! Really mamma, you might have

spared Freddy that.

T h e G e n t l e m a n: Phew! (Shaw)

Well, I dont like those mysterious little pleasure trips that he is so fond of

taking. (Voynich)

 

N t e. Formulas of courtesy, greetings, etc. should not be regarded as

interjections. Thus, good-bye, thank you are not interjections because they do

not express emotion or will.

 

Chapter

THE PREPOSITION

 

1. The preposition is a part of speech which denotes the relations between objects and phenomena. It shows the relations between a noun or a pronoun and other words.

Usually the preposition is not stressed and stands before the word it refers to.

 

Desert moved quickly to the windows. (Galsworthy)

 

Sometimes, however, a preposition may be separated from the word it refers to and placed at the end of the sentence or clause. In that case it is stressed.

 

But he sounds as though he knows what hes talking about. (Wilson)

 

The preposition may be weakly stressed before a pronoun.

 

She wrote the words to them herself, and other poems. (Galsworthy)

 

The preposition is stressed when its meaning is emphasized.

 

The book was in the table, not on it.

 

2. As to their morphological structure prepositions fall under the following groups:

(1) simple (in, on, at, for, with, etc.);

(2) derivative (behind, below, across, along, etc.);

(3) compound (inside, outside, within, without, etc.);

(4) composite (because of, in front of, in accordance with, etc.).

 

3. According to their meaning prepositions may be divided into prepositions of place and direction (in, on, below, under, between, etc.), time (after, before, at, etc.), prepositions expressing abstract relations ( ) (by, with, because of, with a view to, etc.).

The lexical meaning of some prepositions is quite concrete (e. g. in, below, between, before, after, till, etc.), while that of some other prepositions may be weakened to a great extent (e. g. to, by, of).

For instance, the preposition to generally indicates direction or movement towards something:

 

Every night Sissy went to Rachels lodging, and sat with her in her small neat

room. (Dickens)

 

But in some cases the lexical meaning of the preposition to is weakened.

 

...all the house belongs to me, or will do in a few years. (Ch. Bronte)

 

Some prepositions are polysemantic and may express different relations; e. g. for:

 

Never once had Erik sensed the struggle for life. (Wilson) (purpose.)

Even when their eyes had met and her sister had approached the bed, Louisa

lay for minutes looking at her in silence... (Dickens) (time)

She could scarcely move her head for pain and heaviness, her eyes were

strained and sore, and she was very weak. (Dickens) (cause)

 

4. Some prepositions are homonymous with adverbs and conjunctions.

For instance, the prepositions after and before are homonymous with the adverbs after and before and with the conjunctions after and before.

 

There is an old saying that if a man has not fallen in love before forty, he had

better not fall in love after. (Shaw) (ADVERB)

When he got back to Ann Arbor, he found Savina in a state of excitement

because Trasker had heard from Regan after Erik had left. (Wilson)

(CONJUNCTION)

Where do you intend to stay tonight? she asked after a moment. (Wilson)

(PREPOSITION)

The colour rushed into Bosinneys face, but soon receded, leaving it sallow-

brown as before. (Galsworthy) (ADVERB)

He did not write to her, and it was almost a year before he began to see her

again. (Wilson) (CONJUNCTION)

This letter seemed to afford her peculiar satisfaction; she read it through twice

before replying to the landlady. (Mansfield) (PREPOSITION)

 

Though identical inform, adverbs, prepositions, and conjunctions are different parts of speech. The adverb, unlike the preposition and conjunction, serves as part of the sentence, e. g. after is an adverbial modifier of time, etc.

 

5. Some prepositions (on, in, by, over, off, up) are homonymous with postpositions.1

1 See Chapter VII, 2.

 

A preposition as well as a postposition does not perform any independent function in the sentence. But while a preposition denotes the relation between objects and phenomena, a postposition is part of a composite verb.

A preposition is not usually stressed, while a postposition usually bears the stress.

 

Weve got to live on what we earn. (Cronin) (PREPOSITION)

He liked Erik more than any of the assistants the department had taken on in a

long time, as much as he could like, one of the younger men. (Wilson)

(POSTPOSITION)

 

Chapter XIII

THE CONJUNCTION

 

1. The conjunction is a part of speech which denotes connections between objects and phenomena. It connects parts of the sentence, clauses, and sentences.

 

Sadie brought them in and went back to the door. (Mansfield)

... the blinds were down in the dining-room and the lights turned on and all

the lights were red-roses. (Mansfield)

The other day I was saying to Fabermacher that Haviland isnt really cruel,

hes just thoughtless. And Fabermacher said that was the cruellest thing about

the human race. And hes right. (Wilson)

 

2. According to their morphological structure conjunctions are divided into the following groups:

(1) simple conjunctions (and, or, but, till, after, that, so, where, when, etc.).

Some of the simple conjunctions are homonymous with prepositions, adverbs, and pronouns.

(2) derivative conjunctions (until, unless, etc.).

(3) compound conjunctions (however, whereas, wherever, etc.). These conjunctions are few.

(4) composite conjunctions (as well as, as long as, in case, for fear (that), on the ground that, for the reason that, etc.).

Some conjunctions are used in pairs (correlatively): both... and, either... or, not only... but (also), neither... nor, whether... or.

 

If anyone had asked him if he wanted to own her soul, the question would

have seemed to him both ridiculous and sentimental. (Galsworthy)

...nor would John Reed have found it out himself; he was not quick either of

vision or conception. (Ch. Bronte)

Her son had not only come home, but he had come home a good person.

(Abrahams)

Well, they were honest eyes, he concluded, and in them was neither

smallness nor meanness. (London)

He was aware of vague memories of rain and wind and snow, but whether he

had been beaten by the storm for two days or two weeks he did not know.

(London)

3. As to their function conjunctions fall under two classes:

(1) coordinating conjunctions;

(2) subordinating conjunctions.

Coordinating conjunctions join coordinate clauses in a compound sentence (a), or homogeneous parts in a simple sentence (b), or homogeneous subordinate clauses in a complex sentence (c), or independent sentences (d).

 

(a) He had said he would stay quiet in the hall, but he simply couldnt any

more; and crossing the gravel of the drive he lay down on the grass beyond.

(Galsworthy)

(b) He opened his eyes and stared quietly at the pure sky. (Wilson)

(c) Hers was that common insularity of mind that makes human creatures

believe that their color, creed, and politics are best and right and that other

human creatures scattered over the world are less fortunately placed than they.

(London)

(d) Fabermacher wasted no time on a comedy of errors, and Havi-land

apologized for his mistake. But he was not as impressed as Erik had wanted

him to be. (Wilson)

 

Subordinating conjunctions generally join a subordinate or dependent clause to a principal clause (a), or adverbial modifiers to the predicate in a simple sentence (b), or sometimes they join homogeneous parts (c).

 

(a) When he was eight, he got work in another mill. (London)

(b) He shook his head a bit as if in wonder that he had permitted himself to be

caught in such crosscurrents. (Wilson)

(c) My look or something else must have struck her as offensive, for she

spoke with extreme, though suppressed irritation. (Ch. Bronte)





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