.


:




:

































 

 

 

 


. Sport in British Schools




(Talk between Michael Kovrov, a Russian coach, and George Smith, a British coach)

Michael: What kinds of sports do you have in British schools?

George: Oh, various kinds. Most secondary schools offer some opportunity for playing chief team games. Football is usually played in winter at boys schools and cricket in summer. Some schools play only rugger and some only soccer. Girls play tennis and rounders (a sort of baseball) in summer ang hockey in winter, though hockey is becoming more and more popular also at boys schools.

Michael: And what about athletics? Are there any facilities for athletic sports?

George: Yes, there are also facilities for some athletic sports.

Michael: I have the impression that most British schools pay a great deal of attention to sport.

George: Oh yes. British teachers think that sport plays a large part in the training not only of the body but of the character, too.

Michael: Thats what Russian teachers think, too.

George: I know sport is very popular in this country. A lot of world records were established by our sportsmen.

Michael: Id say were a sports-loving nation.

C. At the Doctors (1)

1) At the Physicians

Doctor: Good morning.

Ann: Good morning, Doctor(2).

Doctor: Ah, heres your form. Petrova, isnt it?

Ann: Thats right, Doctor, Ann Petrova.

Doctor: Well, whats the trouble?

Ann: I feel hot and feverish and Ive got a sore throat.

Doctor: Now, lets have a look at you. Slip off your coat and blouse. Id like to listen to your chest. Breathe in then cough. Thats it. Now again. Thank you. Now Ill take your temperature. Put it (the thermometer) under your tongue. Well, it is a bit high. Well have to do something about it, wont we? Have you been coughing much?

Ann: Yes, quite a lot, and sneezing.

Doctor: I want to examine your throat. Open wide. Say "Ah".

Ann: Aaaaahh.

Doctor: Yes, it does look a bit sore. Youve got a cold but not a very bad one. Youd better have a couple of days in bed(3).

Ann: What about the throat, Doctor?

Doctor: Im giving you a course of antibiotics. Take one capsule every four hours(4). Heres the prescription.

Ann: Thank you, Doctor. Goodbye.

2) At the Surgeons

Two friends help Peter Belov walk into the surgery.

Doctor: "Whats wrong with your leg, Belov?

Belov: Im afraid its a fracture, Doctor.

Doctor: How did it happen?

Belov: I was playing a game of tennis. Running to get the ball I slipped and fell down on my leg. I felt an awful pain when I tried to get up. My friends had to help me get here.

Doctor: Thats too bad. You should have been careful. Well, well start with the X-ray examination. Now sit down in this chair and the nurse will take you to the X-ray room.

(A few minutes later the nurse drives Peter Belov back into the surgery. She passes the X-ray pictures to the doctor.)

Doctor (after examining the pictures): Unfortunately, it is a fracture. Youll have to stay in hospital, Below.

Belov: How long do you think Ill have to stay here?

Doctor: I think not less than a couple of weeks.

Notes

(1) at the doctors - ( ). doctor, surgeon, physician, etc. : to be at the doctors (at the surgeons, etc.), to go to the doctors (to the surgeons), etc.

(2) Doctor - , .

(3) bed : to go to bed , to stay in bed ( ) .

(4) every four hours -

 

 

8

Conversation: A. At the Passport Control.

B. Passing through the Customs.

C. At a Hotel.

D. In a Restaurant.

E. In a Pub.

F. At the Dentists.

Learn these words and word combinations

passport [ʹpɑ:spɔ:t] , passport control [kənʹtroul] ; passport control officer

customs [ʹkʌstəmz] n pl. ; to pass (to get) through the customs ; I wonder how long it will take us to pass through the customs.

customs declaration [͵dekləʹreɪʃn]

custom house [΄kʌstəmhaus] n

luggage [ʹlʌɡɪʤ] n

declare [dɪʹklɛə] v , ( ); Have you got anything to declare? , ?

duty [ʹdju:tɪ] , , ; customs duties ; duty - free ; Are cigarettes duty-free?

liable [ʹlaɪədl] to duty ; What goods are liable to duty?

key [ki:] n ; key to the door (the room, etc.); Where is the key to room 25?

examine [ɪɡʹzæmɪn] v , ; , ; Will you examine these papers?

contents [ʹkɔntənts] n pl.

Have a pleasant stay. .

single 1. ; a single room () ; Id like single room, please. a single bed ; 2. , ; Johns sister is single, isnt she?

double [ʹdʌbl] , ; a double room () ; a double bed

private bath [ʹpraɪvɪt ʹbɑ:θ] ( )

porter ( )

fill in v , ; Please fill in this form. , , .

hand v , ; Please hand me that notebook.

delightful [dɪʹlaɪtfl] , ; It was a delightful holiday.

menu [ʹmenju:] n ; Heres the menu, sir.

personally [ʹpə:snlɪ] adv ,

simple [ʹsɪmpl] , , , ,

cooking [ʹkukɪŋ]

chips pl. ,

soup [su:p] ; vegetable soup ;

chicken [ʹtʃɪkɪn] soup ( )

order ; May I take your order, sir?

order v ; Let me order lunch this time.

food [fu:d] n ; ;

in spite of prep

pub n (. public house) ,

for a change ; Lets have lunch in a pub for a change.

idea [aɪʹdɪə] n , ; Thats a good idea. () !

mention [ʹmenʃn] v , ; He mentioned to me that he had seen you the day before yesterday.

bitter n ()

drink (drank, drunk) v ; Will you drink some milk?

beer [bɪə] n ;

ginger [ʹʤɪnʤə] beer

waiter n ; head waiter

pint [paɪnt] n ( : . = 0,51 ., .= 0,47 .)

snack ; to have snack ; Just a snack. - .

offer [ʹɔfə] v ; What can you offer us?

cheese [tʃi:z] n

sausage [ʹsɔsɪʤ] n ;

pickles [ʹpɪklz] n pl. ;

meat pie ;

filling ; I have a filling in my tooth.

loose [lu:s] , ; One of my teeth is loose, said the child.

awful [ʹɔ:fl] , ; The weather is awful today.

pain n ; to have a pain ; I have an awful pain in my tooth.

lower

upper ; One of my upper teeth is loose.

drop out v , , ; One of my teeth is about to drop out.

sensitive [ʹsensɪtɪv] ; sensitive to heat (cold) (); Is this tooth sensitive to heat or cold?

checkup [ʹtʃekʌp] n . , ; You should go for a checkup to the doctors next Tuesday.

pull out v , (); I had a tooth pulled out yesterday.

mean [mi:n] (meant [ment]) v , ; What do you mean by this? ? What does this word mean? ?

A. At the Passport Control

Passport control officer: Your passport, please.

Bobrov: Here you are.

P. o.: Where are you going?

B: To London.

P. o.: How long are you going to stay in this country?

B: About two months.

P. o.: Heres your passport, Mr Bobrov. Thank you.

B. Passing through the Customs

Customs officer: Is this your luggage, sir?

Bobrov: Thats right.

C. o.: Have you got anything to declare?

B: No. Ive got nothing liable to duty.

C. o.: Will you please open your grey suitcase?

B: Just a minute. (He takes out the key and opens the suitcase.)

C. o. (examines the contents): All right, Mr Bobrov. Everything is OK. Have a pleasant stay in this country.

B: Thank you.

C. At a Hotel

Bobrov: Have you a single room for two nights?

Clerk: You can have Room 22 on the first floor.

Bobrov: How much is it?

Clerk: £ 45.25 with a private bath and a TV set.

Bobrov: Can I see it, please?

Clerk: Yes, of course. The porter will take you there. Youd better fill in this form, please.

Bobrov: Yes, certainly. (He fills in the form and hands it to the clerk.)

Porter: Come this way, sir(1).

D. In a Restaurant

Mr Jones: Ive booked a table in the corner. Its very comfortable there.

Petrov: Its delightful here.

Waiter: Heres the menu, sir.

Mr Jones: I wish theyd use English in menus(2).

Petrov: Personally, I prefer good, simple English cooking.

Mr Jones: Mr Petrov, what will you have?

Petrov: I cant see it on the menu but I think Ill have a steak and chips.

Mr Jones: And so will I. Do you want soup first?

Petrov: Yes.

Waiter: May I take your order, sir? (Mr Jones orders food and drinks.)

(After dinner.)

Petrov: Thank you for a very enjoyable evening. It was a wonderful meal in spite of the menu.

E. In a Pub

Mr Dodd: Shall we have a snack lunch in a pub for a change? There are a lot of interesting pubs round here.

Petrov: Thats a good idea. I havent been to any pub yet.

Mr Dodd: What about this one? Its called George and Vulture(3).

(In the pub)

Petrov: It must be very old.

Mr Dodd: Over a hundred and fifty years, I think. It was mentioned by Dickens in one of his novels. He himself used to have lunch here. I like it because there are not many people here at lunch time. Now what would you like to drink? Bitter? Thats a strong beer.

Petrov: Yes, please, if thats what you drink; but let me order it. (To the waiter.) Two pints of bitter, please.

Waiter: Anything to eat, sir?

Petrov: Just a snack. What can you offer us?

Waiter: Theres cheese, sausages, and pickles and meat pies...

Petrov: Ill have bread and cheese with pickles for two, and two sausages.

F. At the Dentists

Doctor: Whats the trouble?

Volkov: I have a filling which is loose and 1 also have an awful pain in my lower tooth on the right.

Doctor: Lets have a look at the filling. Open your mouth wide. Thats it. Yes, its about to drop out. Now lets see the bad tooth. Is it sensitive to heat and cold?

Volkov: Yes, very. I havent had anything hot to eat or drink for the last three days.

Doctor: Thats too bad. You should have come for a checkup long ago. I think its been hurting you for quite a while. Wed better have it X-rayed.

(The doctor has the tooth X-rayed and then he examines the pictures.)

Doctor: Im afraid Ill have to pull it out.

Volkov: Do you mean youll pull it out now?

Doctor: Yes, certainly. Well start with the filling and then Ill pull the bad tooth out. Dont worry. Everythingll be OK.

Volkov: Thats all right, Doctor.

Notes

(1) Come this way, sir. , .

(2) I wish theyd (they would) use English in menus. . (, .)

(3) George and Vulture [ʹvʌlʧə]

 

 

10

Conversation: Exchange of Impressions

Learn these words and word combinations

painting n 1. ; Where can I see old Italian painting? 2.

exchange [ɪksʹtʃeɪnʤ] n ; an exchange of impressions (views [vju:z]. etc.) ( . .); There have been quite a few exchanges of views between Russian and British scientists.

display [dɪsʹpleɪ] v , , ; Where are they going to display his new pictures?

suppose [səʹpouz] v , ; What do you suppose he wanted to say?

natural [ʹnætʃərl] , , ; It is natural for friends to help each other.

admirer [ədʹmaɪərə] n ; an admirer of art (music, ballet, the theatre, etc.) (, , . .)

get in v ; ( , , . .); When the car came to the door, we understood that we could not all get in.

unluckily [ʌnʹlʌkɪlɪ] adv ; Unluckily he failed to do the job.

boast v (of) (),

artist [ʹɑ:tɪst] n

modest [ʹmɔdɪst] ;

seascape [ʹsi:skeɪp] n ,

tear [tɛə] oneself away from smth. (tore [tɔ:], torn) -.; We could not tear ourselves away from the picture.

especially [ɪʹspeʃlɪ] adv , ; I like the country, especially in spring.

depict [dɪʹpɪkt] v ,

stormy ,

portray [pɔ:ʹtreɪ] v , ; Repin wonderfully portrayed the most outstanding people of his time.

conflict [ʹkɔnflɪkt] n ,

opinion [əʹpɪnjən] n ; ; What is your opinion about the new teacher? in my (your, etc.) opinion ( . .) ; In my opinion this painting is brilliant. in the opinion of smb. -. ; In the opinion of most people the exhibition is a great success.

imaginative [ɪʹmæʤ(ə)nətɪv]

produce [prəʹdju:s] v

recall [rɪʹkɔ:l] v , ; I do not recall her name.

subject [ʹsɔbʤɪkt] n ,

reproduction [͵ri:prəʹdʌkʃn] n ,

Its very kind of you. .

icon [ʹaɪkən]

unknown [ʹʌnʹnoun] ; The writers name is unknown.

make a film (made) ; I wonder when the film Hamlet was made. as to ( . ); As to his advice, it was most helpful.

exquisite [ʹekskwɪzɪt] , , ,

portrait [ʹpɔ:trɪt] n

Its hard to believe. .

landscape [ʹlændskeɪp] n

realist [ʹrɪəlɪst] n

reflect [rɪʹflekt] v ; Prorokovs pictures reflect the struggle of the people for peace.

serve v , , ; ; It serves the interests of the people.

sculptor [ʹskʌlptə] n

sculpture [ʹskʌlptʃə] n

talented [ʹtæləntɪd] ; Johns younger brother is a talented pianist.

remember [rɪʹmembə] v , ; Do you remember the painters name? if I am not mistaken

consider [kənʹsɪdə] v , ; We consider him a talented painter. Michelangelo is considered one of the greatest Italian sculptors and painters.

prominent [ʹprɔmɪnənt] ,

abstractionist [əbʹstrækʃ(ə)nɪst] n , )

surrealist [səʹrɪəlɪst] ( )

Exchange of Impressions

Mr Reston: I think Moscow is becoming an international art centre. Most world famous art galleries had their masterpieces displayed(1) in the Pushkin Art Museum.

Alexeev: I suppose its only natural. Muscovites have always been great admirers of art. By the way there were thousands of people queueing to get in when 18th and 19th century English paintings were displayed there.

R: Thats very pleasant to hear. Unluckily, Britain cannot boast of great artists such as Rembrandt and Goya.

A: Oh, youre too modest, I should say. Your Turner is wonderful. I believe hes the most brilliant seascape artist. I couldnt tear myself away from his pictures.

R: Turner is my favourite artist, too. I especially like his seascapes depicting the stormy sea.

A: So do I. I quite agree with the critic who said that Turner wonderfully portrayed the conflict of the man, the sea and the wind.

R: In my opinion hes the most imaginative artist England ever produced. You also had a famous seascape artist in the 19th century. I cant recall his name.

A: You mean Aivazovsky. Yes, the sea was his favourite subject. Hes very popular in this country.

 

John Lobb, an exchange English student, and George Komov, a Moscow University postgraduate, are having a talk.

John Lobb: George, where can I see old Russian painting? I saw a few reproductions in a magazine and was greatly impressed by them.

George Komov: The Tretyakov Gallery has the richest collection, I believe if you have time tomorrow I can take you there.

John: Thank you very much. Its very kind of you.

George: Lets meet in the lounge at 9.30 if it suits you.

John: It suits me all right. See you tomorrow morning.

(In the Tretyakov Gallery)

John: These icons are marvellous. Its a great pity that the painters names are unknown.

George: Unfortunately we know only a few names. One of the greatest old Russian painters was Andrew Rublev.

John: Do you mean the painter about whom a film was made?

George: Yes. The film is called Andrew Rublev. Did you see it?

John: Yes, I saw it a few years ago in London. It impressed me greatly. Where can I see his pictures?

George: As to Moscow you can find some of his pictures in the Cathedral of the Annunciation in the Kremlin and in the Spassky Cathedral in the Andronikov monastery.

John: By the way Im going to the Kremlin next Saturday.

George: Then youll be able to see Rublevs picture there.

(After the visit)

John: Thank you very much. I think Ill have to come back to the Gallery again. Theres a lot to see and enjoy here.

George: Yes. The Gallery has the richest collection of Russian painting.

A: How do you like Gainsboroughs portrait of Mrs Siddons?

B: I think this is his masterpiece. His blues are exquisite.

A: Yes, he was a brilliant portrait painter. Its hard to believe that he painted portraits only for a living. He said it was the landscape that had his heart.

B: I didnt know that.

A: Ive just seen Repins pictures. Theyre marvellous. I believe hes one of the most talented Russian realists.

B: Yes. His paintings reflect the life of the people. His is the kind of art that serves the people.

A: Have you been to Shilovs exhibition?

B: No, I havent. Is he a modern painter?

A: Yes. His portraits are wonderful. The portrait of his Grandmother made a great impression on me. I think he likes people whom he paints.

A: Whats the name of the sculptor who made the War Memorial in Volgograd?

B: Vuchetich. Hes one of our most talented sculptors. A: Now I remember the name. I saw his sculpture near the UN building in New York. If Im not mistaken its called Man Beating Sword into Ploughshare(2).

: Yes. I also like the Memorial to Soviet Soldiers he made for Treptov Park in Berlin. I wonder whether Henry Moore is still considered the most prominent English sculptor.

A: I think so.

: Do you consider him an abstractionist?

: Our critics call him surrealist.

Names

Muscovites [ʹmɔskəvaɪts]

Rembrandt [ʹrembrənd]

Goya [ɡɔɪə]

Turner [ʹtə:nə]

Aivazovsky [͵aɪvəʹzɔvskɪ]

the Tretyakov Gallery [ʹtretjəkəv ʹɡælərɪ]

Andrew Rublev [ʹændru: rubʹlev]

the Cathedral of the Annunciation [ə͵nʌnsɪʹeɪʃn]

Spassky [ʹspɑ:skɪ] Cathedral

Andronikov monastery [ənʹdrɔnɪkəv ʹmɔnəstrɪ]

Gainsborough [ʹɡeɪnzbərə]

Mrs Siddons [ʹsɪdənz] -

Repin [ʹrepɪn]

Vuchetich [vuʹʧetɪʧ]

Treptov [ʹtreptəv] Park -

Henry Moore [ʹhenrɪ ʹmuə] Myp

Notes

(1) Most world famous art galleries had their masterpieces displayed.... ....

(2) Man Beating Sword [sɔ:d] into Ploughshare [ʹplauʃɛə]

 

 

12

 

Conversations: A. Booking Seats for the Theatre.

B. Talk about Theatre.

C. The British Theatre is Dying.

Learn these speech patterns

1. How do you account for the success of this play?

?

Exercise 1. Make up sentences using the table and translate them.

  do you   the success of his first novel?
How does he account for Marys absence?
  did he   your being 1ate?

2. As far as I know it was a great success.

, () .

Exercise 2. Make up sentences using the table and translate them.

As far as I know he remembers the performance was a great success. she was a talented actress.
I can remember everyone liked his painting. we all agreed to join them.

Learn these words and word combinations

booking clerk [klɑ:k] (, .. )

stall . ; Have you got any stalls?

circle [ʹsə:k1]

row [rou] n ; The seats are in the middle of the third row.

theatrical [θɪʹætrɪkl] season . I wonder when the Art Theatre is opening its theatrical season.

exist [ɪɡʹzɪst] v ,

time n 1. ( ); for quite a time ( ) ; 2. , ; our time(s) , ; Everything was different in my time.

theatre - goer n

set up v , ; When was your firm set up?

purpose [ʹpə:pəs] n , ; What is the purpose of his visit? for the purpose of doing smth. -.; For what purpose do you want to go to Sankt Petersburt? It should be done for the purpose of encouraging young people.

genre [ʒɑ:nr] n , , .

classical [ʹklæsɪkl]

repertoire [ʹrepətwɑ:] n ; I wouldnt say this theatre has a large repertoire.

include [ɪnʹklu:d] v ,

composer [kəmʹpouzə]

tremendous [trɪʹmendəs] , , ; The new production was a tremendous success.

recording [rɪʹkɔ:dɪŋ] n ; I have a very good recording of this opera.

impossible [ɪmʹpɔsəbl] , , ; next to impossible , , () seat v , ; The new theatre will seat 700 people. 700 .

sell out v (. passive) ; I phoned the box-office and the booking clerk said, All sold out. .

tale n ,

survive [səʹvaɪv] v , ,

survival [səʹvaɪvl]

seem v , ; to seem old (young, new, etc.); He seemed very old to me. .

production - theme [θi:m] play

interpretation [ɪn͵tə:prɪʹteɪʃn] , ; I dont agree with the producers interpretation of the play. at work

seek (sought [sɔ:t]) an answer to smth. -.

take up v ( . .); - .; There is another matter which I feel you ought to take up.

contemporary [kənʹtempərərɪ]

activity [ækʹtɪvɪtɪ] n (. pl.) , (ð ); classroom activities ; literary activities

sphere [sfɪə] n

drama [ʹdrɑ:mə] 1. (); 2.

playwright [ʹpleɪraɪt] n ; T. Williams is one of the most prominent American playwrights.

youngster [ʹjʌŋstə] n ,

nonsense [ʹnɔns(ə)ns] n , , ; , ,

in tact , ,

admit [ədʹmɪt] v , ; I admit it is true. night (. . first night) ,

imagine [ɪʹmæʤn] v ,

prompt [prɔmpt] n ,

rest n (the) , ; the rest of it

last out v , .

exactly [ɪɡʹzæktlɪ] adv ; ,

prove [pru:v] v ; I shall prove to you that this is true.

elderly [ʹeldəlɪ] , old hand

weakness n ; the weakness of old age

strength [streŋθ] n ; He is a man of great strength. It isnt easy to get back ones strength after an illness.

merely [ʹmɪəlɪ] adv ,

humanity [hju:ʹmænɪtɪ] n ;

renew [rɪʹnju:] v ,

convince [kənʹvins] v , ; to be convinced , ; I am convinced Peter isnt right. to convince smb. of smth. -. -.; We could not convince Jane of her mistake.

A. Booking Seats for the Theatre

Peter Nikolaev: Have you got two seats for tomorrows performance?

Booking clerk: The first or second performance?

Peter: I usually prefer the second.

Booking clerk: Ive got a few stalls and two circle seats.

Peter: How much are the seats in the circle?

B. clerk: Two and a half pounds each. I'll show you where they are on the plan. Here they are in the middle of the second row.

Peter: I'll take those. What time does the second performance begin?

B. clerk: Eight fifteen, sir.

B. Talk about Theatre

Diana Andrews: I know youre an admirer of opera, Anna. Last night I heard on the radio that the Moscow Chamber Musical Theatre(1) was starting its new theatrical season. Ive never heard of this theatre. Could you tell me about it?

Anna Fedorova: Though its existed for quite a time, most theatre-goers still call it the new opera theatre. It was set up for the purpose of developing the genre of smaller opera(2).

Diana: What operas does the theatre stage?

Anna: Both classical and modern. Its repertoire includes over 15 productions, Play-house Director(3) by Mozart, Apothecary(4) by Haydn and Marriage Bill(5) by Rossini, to name only a few.

Diana: Did the theatre produce any operas by Russian composers?

Anna: Yes, I think three or four operas were staged. The first was The Nose by Dmitri Shostakovich. The composer himself took an active part in its production. The opera has always been a tremendous success with the public. A few years ago the French Charles Cros Academy(6) awarded Grand Prix(7) to the recording of this opera by this company.

Diana: Did you happen to see it?

Anna: Yes, and I enjoyed every minute of it.

Diana: Id like to see a few operas at this theatre. Is it possible to book seats?

Anna: Id say its next to impossible. The theatre is small, it seats only 220 people. I suppose its already been sold out. Ill try to help you. A friend of mine is an actor at this theatre. Ill ask him to get seats for you.

Diana: Thank you very much. Its very kind of you.

2.

John Spencer: I saw Roschins play The Echelon(8) at the Sovremennik Theatre yesterday.

Michael Vetrov: How did you like it?

John: It impressed me greatly. Its a story of the World War II days, the tales of those who survived when survival seemed impossible.

Michael: I saw the play at the Art Theatre and I liked it very much, too.

John: By the way Roschins play was staged in the USA. It was the first production by a Russian producer Galina Volchek was invited to stage it in Houston, Texas.

John: As far as I know it was a great success.

C. The British Theatre is Dying

A conversation between Alfred Leathers, an old actor, and Martin Cheveril, a playwright and producer.

Alfred: Martin, my boy, Ive been acting too Jong and as the youngsters like to say Ive had it(9).

Martin: Nonsense, Alfred.

Alfred: No, no. Mean what I say. In fact the Theatres had it. The Theatres finished and we might as well admit it(10).

Martin: It was different when you were young, of course eh?

Alfred: Different? I should think it was.

Martin: Youve seen some great nights in the Theatre, I imagine, Alfred eh? (It is like a prompt.)

Alfred: I have, Martin. Great nights. And theyll never come again. Dont forget that in my time Ive played with Irving(11), Ellen Terry(12) and Tree(13).

Martin: Great names, Alfred.

Alfred: Ah but the Theatre was the Theatre in those days, Martin. It was all the public had, and so we all did our best with it. None of your films and radio and television and the rest of them then. It was the Theatre and the Theatre as it ought to be.

Martin: The Theatres dying though it may last out our time

Alfred: Yes, thank God. But I dont give it much longer.

Martin (smiles at him): Well, you see, Alfred, I know that speech about the dying Theatre. Ive heard it before.

Alfred: Exactly. And everything goes to prove

Martin: That youre an elderly actor, Alfred, and that the Theatres dying for you. Its always been dying for the old hands. And its always been born again for the new ones. And thats not its weakness thats its strength. It lives really lives and not merely exists, but lives as humanity lives just because its for ever dying and being born, because its always renewing its life.

Alfred (not convinced): Now wait. Its dying for me, well say but who is it being born for?

(The door opens and Otley comes in.)

Otley: Miss Sewards here.

Martin (to Otley): Send her in. (To Alfred) Your answers here.

(After Jenny Villiers: a Story of the Theatre by John B. Priestley)

Names

Mozart [ʹmɔ:zɑ:t]

Haydn [ʹhaɪdn]

Rossini [rəʹsi:nɪ]

Houston [ʹhju:stn] .

Texas [ʹteksəs]

Alfred Leathers [ʹælfrɪd ʹleðəz]

Martin Cheveril [ʹmɑ:tɪn ʹʧi:vrəl]

Seward [ʹsju:əd]

Notes

(1) the Moscow Chamber [ʹʧeɪmbə] Musical Theatre

(2) smaller opera ()

(3) P1ay-house Director

(4) Apothecary [əʹpɔθɪkərɪ]

(5) Marriage Bill

(6) the French Charles Cros Academy (1842-1888)

(7) Grand Prix [prɪ] ( , ), , . .

(8) The Echelon [ʹeʃəlɔn]

(9) Ive had it. . ()

(10) we might as well admit it

(11) Sir Henry Inning (1838-1905) ,

(12) Ellen Terry (1847-1928) ,

(13) Sir Herbert [ʹhə:bət] Tree (1853-1917) ,

 

 

14

 

Conversations: A. Television.

B. Newspapers.

C. Press Conference.

Learn these words and word combinations.

documentary [͵dɔkju΄ment(ə)rɪ] (= documentary film) n

mind v ( . ompu. ., . ) , - . ; Do you mind if I watch V now? No, I dont mine (it). , .

serial [΄sɪərɪəl] n ()

channel [ʹʧænl] n (); Doyou know what's on channel 2 as six o'clock?

switch over v

switch on v

advantage [ədʹvɑ:ntɪʤ] n , ; Ant. disadvantage [͵dɪsədʹ'vɑ:ntɪʤ] , ,

invention [ɪnʹvenʃ(ə)n] n , ;

spare [spɛə] , , ,

programme [ʹprəuɡræm] ( program) n

suffer [ʹsʌfə] v , ,

informative [ɪnʹfɔ:mətɪv] a , ; , ;

alphabet [ʹælfəbɪt] n

arithmetic [əʹrɪθmətɪk] n

violence [ʹvaɪələns] n , , ; crimes of violence . ,

indifferent [ɪn΄dɪfrnt] , , . to be (to feel) indifferent to smb., smth. -., -.

doubt [daut] v , -.

protest [prəʹtest] v (against smth.) , ( -.)

notice [noutɪs] n ; to take notice , : to take no notice of smth. -,: Take no notice of what he is saying about them.

subscribe [səbʹskraɪb] v

gazette [ɡə΄zet] -n (. )

cartoon [kɑ:ʹtu:n] n ,

ad (. advertisement) n ,

domestic [dəʹmestɪk] ; domestic policy (trade, news)

announcement [əʹnaunsmənt] n , , ( ); An announcement will be made next week.

arrangement [əʹreɪnʤmənt] n pl. ; Ill make arrangements for somebody to meet you at the airport.

arrange [əʹreɪnʤ] v 1. , , ; to arrange with smb. for or about smth. -. -. Did he arrange with Mr Brown for an appointment? 2. , ; The Tourist Bureau arranged everything for our journey to Samarkand.

complete [kəmʹpli:t]

detailed [ʹdi:teɪld] ,

by noon

resignation [͵rezɪɡʹneɪʃn] n ; ; ; to accept [əkʹsept] ones resignation -.

resign [rɪʹzaɪn] v , ; When did he resign from the Cabinet?

the armed services [ʹsə:vɪsɪz]

military aide [ʹmɪlɪt(ə)rɪ ʹeɪd]

the Army

the Navy -

the Air Force -

the Marine [məʹri:n] aide

promote [prəʹmout] v ; was promoted captain (to the rank of the captain). .

brigadier general [͵brɪɡəʹdɪə ʹʤenrl] ( )

extent [ɪksʹtent] , ; to what extent...? ...?

assume [əʹsju:m] v ,

laughter [ʹlɑ:ftə]

authoritative [ɔʹθɔ:rɪtətɪv]

intelligence [ɪnʹtelɪʤəns]

involve [ɪnʹvɔlv] v , , ; The contract involves the interests of both countries.

intention [ɪnʹtenʃn] n , ; I wonder what their intentions are.

intend [ɪnʹtend] v , , , (-. ); What do you intend to do today?

abide [ə΄baɪd] by v ,

treaty [΄tri:tɪ] n

correct [kəʹrekt] , ,

deny [dɪʹnaɪ] v , ; to deny the truth of the statement ,

useful [ʹju:sf(u)1] , ; This textbook will be very useful.

inform [ɪnʹfɔ:m] v , , ; to inform smb. of smth.; Have you informed Mr Smith of the press conference? in good time

consult [kənʹsʌlt] v 1. ; Did you consult the doctor? 2. (with) , ; The President consulted with his advisers.

in this particular [pəʹtɪkjulə] case .

cause [kɔ:z] , ; What was the cause of the generals resignation?

stir v , ,

A. Television

A: Do you happen to know whats on after the news?

B: I think its a documentary.

: Would you mind if I watched it?

B: Dont you want to see part two of the serial on BBC(1) 2?

A: Do you remember whats on channel 2 at 9.30?

B: As far as I can remember, its a play.

A: Do you mind if we switch over?

B: No, Ive been looking forward to it all evening.

Four University students discuss advantages and disadvantages of television. Michael and Ann are Russian students, John is an American student and Ruth is an English student.

John: I think television is one of the worst inventions the man ever made. It occupies all our spare time. We rush home to be in time for this or that programme.

Ann: I cant agree with you, John. Television made it possible for people who live far away from cultural centres to watch theatrical productions, concerts, music and drama competitions, international and national sports events and what not.

Ruth: I do agree with Ann in this. Thats an advantage the television has. Unfortunately children are the ones who suffer most.

John: Yes. Some American children spend more time in front of TV-sets than in front of the teacher. Too much television is bad for children.

Michael: Children should be taught what programmes to watch. Most of our educational programmes are really good and informative. I used to enjoy them when a child.

Ruth: We also have some very good educational programmes especially the one called Play School(2). It teaches the alphabet and arithmetic so that it all seems like a game(3). Thats the way to teach young children. What I hate is violence which looks even more violent on colour television.

John: Yes, thats really awful. Theres always a film of violence on one of the channels. I think children feel indifferent when people are killed.

Michael: I doubt that. Cant your teachers do something about it? They should protest against violence on TV.

John: They do protest. But television companies take no notice of them. These films sell well(4).

B. Newspapers

Anna Petrova: How many newspapers do you subscribe to?

Clare Dawson: I dont subscribe to any. I buy papers every morning on my way to college. And do you subscribe to any papers?

Anna: Yes. I subscribe to three:Izvestia, Komsomolskaya Pravda and Literaturnaya Gazette. I like to look through the papers before I leave for college.

Clare (to Anna who is reading a paper): Looking through the Daily Mirror?

Anna: Yes. Its the first time that I see this paper.

Clare: How do you like it?

Anna: I feel puzzled(5). It isnt very informative: a lot of sensational news, strip cartoons and ads. A few articles cover the domestic news and theres almost next to nothing about the international situation.

Clare: Well, thats the way tabloids are made in this country.

 

C. Press Conference

The President: Good morning. I have several announcements. First, the arrangements for the trip to Vienna are now complete, and Mr Simon will have detailed information on that for you by noon today. Second, I have accepted a number of resignations in the armed services. There will be a list available after the press conference, by the way.

Malcolm Waters, Associated Press: Mr President?

The President: Excuse me, Mr Waters, I have one further announcement. As you all know the President has traditionally had three military aides one each from the Army, Navy and Air Force. I thought it was about time a Marine was added, and I am appointing Colonel Casey as my Marine aide. He will be promoted to brigadier general.

Thats all I have.

James Compton, Knight Newspapers: Sir, you didnt make it clear in your speech Saturday to what extent you encouraged the generals to resign.

The President: Jim, Ill assume thats a question even though I couldnt hear a question mark on it. Lets just say I advised them to resign and they accepted my advice. (Laughter)

Hal Brennan, New York Times: Mr President, we have an authoritative report that some intelligence information, involving Russias intentions to abide by the treaty, accounts for your trip to Vienna to see Mr Feemerov. Is that correct, sir?

The President: Im sorry, but I will have nothing more to say on the Vienna conference until it is over.

Hal Brennan, New York Times: Then we may assume the report is correct?

The President: Now, Mr Brennan, I am neither confirming nor denying anything. I am simply not discussing the subject. Id like to be helpful, but I think it would not be useful for me to discuss it just now. Youll be informed in good time.

Thomas Hodges, Minneapolis Star and Tribune:Mr President, did you consult with the National Security Council(6) or the Cabinet or other advisers on those resignations?

The President: Not the NSC or the Cabinet as such, but I did consult with certain of my advisers.

Thomas Hodges, Minneapolis Star and Tribune: I wonder if you could give us their names, please, sir?

The President: In this particular case, I dont believe it would be useful.

Roger Swensson, Chicago Tribune: Mr President, many people find it hard to believe that the treaty alone(7) was the cause of this mass resignation. Was anything else involved?

The President: The treaty stirred very deep feelings in this country. Men in high position are not immune to deep feelings(8).

Malcolm Waters, Associated Press: Thank you, Mr President.

(After Seven Days In May by Fletcher Knebel and Charles Bailey)

Names

Ruth [ru:θ]

Clare [klɛə]

Malcolm [ʹmælkəm]

the Associated [əʹsouʃɪeɪtɪd] Press

the Knight Newspapers

Thomas Hodges [ʹtɔməs ʹhɔdʒɪz]

the Minneapolis [͵mɪnɪʹæpəlɪs] "Star and Tribune [ʹtrɪbju:n]

Roger [ʹrɔdʒə]

the Chicago [ʃɪʹkɑ:ɡou] Tribune"

Notes

(1) BBC (British Broadcasting [ʹbrɔ:dkɑ:sixŋ] Corporation [͵kɔ:pəʹreɪʃn] -- ( - )

(2) Play School () , .

(3) so that it all seems like a game , ( )

(4) These films sell well. .

(5) I fell puzzled. . ( .)

(6) the National Security [sɪʹkjuərɪtɪ] Council (NSC) ()

(7) the treaty alone

(8) Men in high position are not immune to deep feelings. , , .

 

 

Exercise 16. Read and translate this conversation. Dramatize it.

Mr Page, the owner of the local newspaper The Northern Light, receives two visitors, Mr Smith and Mr Nye, representatives of the newspaper tycoon Somerville, who wants to buy Mr Pages paper.

Smith: Mr Page, may I say that we approach you in the most cordial and friendly spirit. You know, of course, the reason for our being here. The Somerville group is very interested in your publication.

Page: What I cannot understand is why there should be this interest in The Northern Light.

Smith: We are anxious to expand. Also we know the reputation of your paper, Mr Page.

Page: You believe that to be good?

Smith: We do, sir. We consider The Northern Light absolutely first in its own class.

Page: Then why should I sell it?

Smith: I will tell you, Mr Page. We know youve done well. But times are changing fast. There are only half a dozen independent papers of your type left in the provinces and, I promise you, within two or three years they will all be absorbed. We estimate that your entire property is worth seventy-five thousand pounds. I am now authorized to increase the amount.

Page: Ive no quarrel with you, gentlemen. You are only doing your job. Still... you must realize whats happening to our press today. A few powerful groups are reaching out for every paper they want with the objective to increase circulation and outsell their rivals in the cutthroat competition that now exists.

We, all of us, know the power of the press. It can make or break an individual, create or destroy a government, it may even start a new war. Its the application of this power by certain papers with enormous national coverage that is the curse of our country today and may well be its ruination tomorrow.

Nye (breaking in): I suppose you exempt your own paper from this ruination business.

Page: I do. In its own limited sphere it follows the papers that lead and educate the people, and try to create intelligent citizens, rather than a nation of gaping primitives reared on a mixture of sex, sensation and scandalous gossip.

Nye: Let me inform you that sex and money are the two main objectives of the human race. What do you think a working man wants with his morning cup of tea at six oclock on a foggy morning? Not the soapy sermon that you serve up but the bit of spice we give him in the Gazette.

Page: Even if I were desperate to sell I would never sell it to the Gazette.

Smith: Dont lets be hasty. Take a few days to think things over.

Page: No, my decision is final.

Nye: Then well have to see that you get a little extra competition. And believe me it will be hot and strong.

(After The Northern Light by A. J. Cronin)

 

 

16

 

Conversations: A. An Invitation to a Conference.

B. At the Office Equipment Exhibition.

C. There is No Alternative to Detente.

D. Scientists Should Protest.

Learn these words and word combinations

technology [tekʹnɔləʤɪ] n 1. ; ; 2.

manking [mænʹkaɪnd]

environment [ɪnʹvaɪərnmənt] ; , ; Are you going to take part in the conference on Manking and Environment?

to that effect [ɪʹfekt] ,

Counsellor [ʹkauns(ə)1ə] ,

machine [məʹʃi:n] ,

understaffed [͵ʌndəʹstɑ:ft] ( )

model [ʹmɔdl]

unless [ənʹles] cnj , , ; You will fail unless you work harder.

brochure [ʹbrouʃuə] n ; descriptive [dɪsʹkrɪptɪv] brochure -

call at smb. s place -., , ; Will you call at Mr Browns house on your way back?

alternative [ɔ:lʹtə:nətɪv] n

detente [deʹtɑ:ŋt] n ; There is no alternative to detente.

excerpt [ʹeksə:pt] n ,

absurdity [əbʹsə:dɪtɪ] n , ; ,

regard [rɪʹɡɑ:d] v , ; to regard smb. as; He is regarded as the best teacher at college. .

forward - based bridgehead [΄fɔ:wədbeɪst ʹbrɪʤhed]

wage v , ; to wage a war (against smb.) ( -.)

ruination [ruɪʹneɪʃn] n ()

protection [prəʹtekʃn] n , , ; protection of the environment

gap n

developing [dɪʹveləpɪŋ] country

broaden [ʹbrɔ:dn] v ()

hunger [ʹhʌŋɡə] n

solve [sɔlv] v , ; to solve a problem (a difficulty, etc.) ( ); I hope we shall be able to solve this problem.

obvious [ʹɔbvɪəs] , ;

get down to smth., to doing smth. -., -.; Its high time to get down to some good, hard work.

atomic bomb [əʹtɔmɪk ʹbɔm]

test v , ; , ; The first atomic bomb was tested by the USA.

rumour [ʹru:mə] n ,

the military [ʹmɪlɪtərɪ] n ,

drop v , ; to drop a bomb

get together ,

scheme [ski:m] n , ,

step n





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