.


:




:

































 

 

 

 


, ?




? ?

?

? , ?

, ? ? ? ? ?

, , ? ? , ?

 

 

. , , . . . , , .

 

. , - . , . .

 

: , . , , . , , , . , .

 

- , . - . , , , .

 

, , . , , , , .

 

Yours Linda Seger

 

 

:

WOMEN IN FILM LUMINAS AWARD CRITERIA (- LUMINAS AWARD)

 

 

. , .

 

. : , , , .

 

. , , , .

 

D.

 

 

. , , , , .

 

F. , , , , .

 

G. , , , , , .

 

H. , , , , .

 

NOTES

CHAPTER 1

Syd Field, Screenplay (New York: Dell Publishing, 1979), pp. 31-32.

Dick Lochte, "Stardomstruck," Los Angeles Magazine, March 1988, p. 53-56.

 

CHAPTER 2

Arthur Conan Doyle, Sherlock Holmes Selected Stories (London: Oxford University Press, 1951).

G. K. Chesterton, Father Brown Selected Stories (London: Oxford World Classics, 1955).

Agatha Christie, Curtain: Poirot's Last Case (London: Collins/ Fontana Press, 1975), p. 7.

Agatha Christie, A Pocketful of Rye (London: Collins/Fontana Press, 1953), p. 97.

Judith Guest, Ordinary People (New York: Penguin, 1976), p. 1.

William Kelley, Witness (New York: Pocket Books, 1985), p. 8.

Joseph Campbell, The Power of Myth (New York: Doubleday, 1988), pp. 4-5.

 

CHAPTER 3

Lajos Egri, The Art of Dramatic Writing (New York: Simon & Schuster, 1960), pp. 36-37.

Frank Pierson, "Giving Your Script Rhythm and Tempo," The Hollywood Scriptwriter, September 1986, p. 4.

Christopher Hampton, Les Liaisons Dangereuses (London: Faberand Faber, 1985), pp. 31-32.

Judith Guest, Ordinary People (New York: Penguin, 1976), p. 83.

 

CHAPTER 4

1. Ian Fleming, Octopussy (New York: New American Library, 1962), p. 13.

 

CHAPTER 5

1. Art Kleiner, "Master of the Sentimental Sell," The New York Times Sunday Magazine, December 14, 1986.

 

CHAPTER 6

Dale Wasserman, One Flew Over the Cuckoos Nest (New York: Samuel French, 1970), pp. 22, 27, 38.

Constantin Stanislavski, Building a Character (New York: Theatre Arts Books, 1949), p. 25.

 

CHAPTER 7

1. Moss Hart, Act One (New York: Modern Library, 1959), pp. 257-258.

 

CHAPTER 8

Edith Hamilton, Mythology (New York: New American Library, 1940), p. 34.

Huntley Baldwin, "Green Giant Advertising, What It Is, Why It Is, and How It Got to Where It Is Today," The Leo Burnett Agency, March 1986.

For further reading on myth, see Joseph Campbell's Hero of a Thousand Faces and The Power of Myth; The Search for the Beloved by Jean Houston; and Chapter 6 in my first book, Making a Good Script Great, which deals with myth in relation to screenplays.

 

CHAPTER 9

Luis Valdez, as quoted in an interview with Claudia Peng, "Latino Writers Form Group to Fight Stereotypes," The Los Angeles Times Calendar, August 10, 1989.

Statistics from Window Dressing on the Set, a report of the United States Commission on Civil Rights, Washington, D.C., 1979, p. 9.

 

CHAPTER 10

1. Frank Pierson, "Giving Your Script Rhythm and Tempo," The Hollywood Scriptwriter, September 1986, p. 4.

 

ABOUT THE AUTHOR

Dr. Linda Seger began her script consulting business in 1983, based on an analysis system she developed for her dissertation on "What makes a script work?" Since then, she has consulted with writers, directors, producers, and companies throughout the world, including Ray Bradbury, Tony Bill, ITC Productions, Beyond Limited, the Sundance Institute, and the New Zealand Film Commission. She has given seminars for ABC, CBS, the staff of Embassy Television and the "MacGyver" series, the American Film Institute, the Directors Guild of America, the Writers Guild of America, the Academy of Television Arts and Sciences, and the Academy of Motion Picture Arts and Sciences, and for producers and writers in Canada, Borne, London, Australia, and New Zealand. Dr. Seger is the author of a previous book, Making a Good Script Great. She is married and lives in Venice, California.

 





:


: 2016-10-27; !; : 226 |


:

:

, .
==> ...

789 - | 691 -


© 2015-2024 lektsii.org - -

: 0.012 .