2
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,
Ż, D, ѻ
:
. 3
. 4
. 4
4. :
- . 6
- -- . 9
- . 12
- ܻ . 14
- » . 16
1.1 -I D.
1.2 -II ѻ.
1.3 -I, -II -I Ż, D ѻ:
1.3.1 ;
1.3.2 , , , ;
1.3.3 , ;
1.3.4 , , 4- Follow My Leader ( ) --;
1.3.5 Kick Flick , 45 .
1.4 -II, , Ż, D ѻ , , :
1.4.1 ;
1.4.2 ( ) ;
1.4.3 , , , 45 , (Sit-Line), -, , .
1.5 ѻ inor highlight , Major highlight -.
1.6 :
1.6.1 , ( );
1.6.2 45 .
1.7 Ż, D ѻ ( ).
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[1] Walter Laird, (International Dance Teachers Association (IDTA)), :
[1-1] The Laird Technique of Latin Dancing Walter Laird, 6- 2003 , 2009 ;
[1-2] Technique of Latin Dancing. Supplement Walter Laird, 1997 , 1998 .
[2] Latin American (Imperial Society of Teachers of Dancing (ISTD)), 6- , 5 :
[2-1] Part 1. Rumba, 1998 ;
[2-2] Part 2. Cha-Cha-Cha, 2003 ;
[2-3] Part 3. Paso Doble, 1999 ;
[2-4] Part 4. Samba, 2002 ;
[2-5] Part 5. Jive, 2002 .
2.1 .
2.2 , WDSF,
.
3.1 , Ż, D ( Ż) ѻ ( Ż D), .
3.2 1- . .
3.3 2- 3- , , . [1] [2] , [1], , , [2]. .
3.4 , [1] [2] ( , . .) 2- [1] . 2- (*).
3.5 , [1], [1] - . [2], [2] . 2- (**).
3.6 , [1] [2], . [1] [2] .
3.7 .
3.8 , , , , , .
3.9 , , , .
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(SAMBA)
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Ż | ||
1. | Basic Movements: Natural Reverse Side Progressive Outside | : |
2. | Rhythm Bounce | |
3. | Samba Whisks to Left or to Right (Whisks) | () |
4. | Volta Spot Turn for Lady to Right or Left (Whisks with Ladys Underarm Turn) | ( ) |
5. | Promenade Samba Walks (Samba Walks in PP) | ( ) |
6. | Side Samba Walk | |
7. | Stationary Samba Walks | |
8. | Travelling Botafogos (Travelling Bota Fogos Forward) | |
9. | Travelling Bota Fogos Back (**) | |
10. | Shadow Botafogos (Criss Cross Bota Fogos) (*) | ( ) |
11. | Promenade Botafogo (Bota Fogos to Promenade and Counter Promenade Position) | ( ) |
12. | Simple Volta to Right or Left in Close Hold (Travelling Volta to Right or Left in Closed Hold) | ( ) |
13. | Travelling Voltas to Right or Left (Criss Cross Voltas) | ( ) |
14. | Solo Volta Spot Turn (*) | |
15. | Continuous Volta Turn to Right or Left (Maypole) | () |
16. | Reverse Turn (. ) | |
D | ||
17. | Corta Jaca | |
18. | Closed Rocks to Right and Left (*) | |
19. | Open Rocks to Right and Left (*) | |
20. | Backward Rocks on RF and LF (*) | |
21. | Plait | |
22. | Rolling off the Arm | |
23. | Argentine Crosses | |
24. | Three Step Turn for Lady (. ) | |
25. | Samba Locks in Open CPP or in Open PP (*) | |
26. | Samba Side Chasses | |
27. | Dropped Volta | |
ѻ | ||
28. | Methods of Changing Feet (Foot Changes) | ( ) |
29. | Botafogos in Shadow Position | |
30. | Travelling Voltas in Shadow Position (*) | |
31. | Dropped Volta in Shadow Position | |
32. | Shadow Circular Volta (**) | |
33. | Corta Jaca in Shadow Position | |
34. | Contra Botafogos (*) | |
35. | Circular Voltas to Right or Left (Roundabout) | () |
36. | Natural Roll | |
37. | Reverse Roll (**) | |
38. | Promenade to Counter Promenade Runs | |
39. | Drag | |
40. | Cruzados Walks in Shadow Positio (*) | |
41. | Cruzados Locks in Shadow Position (*) | |
42. | Carioca Runs |
:
1. 16 Reverse Turn. Ż . , 4-6 , , D.
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2. 24 Three Step Turn for Lady. , ϻ 1-3 , , , , 4-6 4-6 .
-- (CHA-CHA-CHA)
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E | |||||
1. | Cha Cha Cha Chasses and Alternatives: - Chasse to Right and to Left (*), - Compact Chasse (**), - Lock Forward and Backward (*), - Ronde Chasse, - Hip Twist Chasse (Twist Chasse), - Slip-Close Chasse (Slip Chasse), - Cuban Break Chasse | -- : - - , - , - , - ( ), - - ( ), - | |||
2. | Time Step (*) | ||||
3. | Close Basic (Closed Basic Movement) | ||||
4. | Open Basic (Open Basic Movement) | ||||
5. | Fan (. ) | Beep | |||
6. | Hockey Stick | ||||
7. | Spot Turn to Left or to Right | ||||
8. | Switch Turn to Left or to Right (**) | - | |||
9. | Underarm Turn to Left or Right | ||||
10. | Check from Open CPP and Open PP (New York) | (-) | |||
11. | Shoulder to Shoulder | ||||
12. | Hand to Hand | ||||
13. | Three ChaChaChas (**) | -- | |||
14. | Side Steps (to Left or Right) (**) | ( ) | |||
15. | There And Back (**) | ||||
16. | Natural Top | ||||
17. | Natural Opening Out Movement (**) | ||||
18. | Closed Hip Twist [2-2] | ||||
19. | Alemana | ||||
20. | Open Hip Twist | ||||
D | |||||
21. | Cross Basic (. ) | ||||
22. | Reverse Top | ||||
23. | Opening Out From Reverse Top | ||||
24. | Curl | ||||
25. | Spiral (**) | ||||
26. | Rope Spinning (**) | ||||
27. | Aida (**) | ||||
28. | Cuban Break ( [1-1]): Cuban Break in Open Position, Cuban Break in Open CPP | ( [1-1]): , | |||
29. | Split Cuban Break ( [1-1]): Split Cuban Break in Open CPP; Split Cuban Break From Open CPP and Open PP | ( [1-1]): ; | |||
30. | Chase | ||||
31. | Opening Out to Right [1-2] | ||||
32. | Advanced Hip Twist Close Hip Twist [1-1] Advanced Hip Twist [2-2] | ||||
33. | Turkish Towel | ||||
ѻ | |||||
34. | Guapacha Timing (whappacha) | ||||
35. | Cha Cha Cha Chasses and Alternatives: Runaway Chasse | -- : ( ) | |||
36. | Close Hip Twist Spiral (Hip Twist Spiral) | ( ) | |||
37. | Open Hip Twist Spiral (Development of Hip Twist Spiral) | ( ) | |||
38. | Sweetheart | ||||
39. | Follow My Leader | ||||
40. | Methods of Changing Feet (Foot Changes) | ( ) | |||
41. | Syncopated Open Hip Twist | ||||
42. | Continuous Circular Hip Twist | ||||
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--:
1. 5 Fan. Fan Fan Development ( [2-2]) : 2.3.41 2.3.41 , Ż. Fan Development -: 2.3.4.1.2 ( ). 3.4.1 ѻ.
2. 21 Cross Basic. c - ѻ.
(RUMBA)
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D | ||
1. | Basic Movement (Closed Basic Movement) | ( ) |
2. | Open Basic Movement (**) | |
3. | Alternative Basic Movements (*) | |
4. | Progressive Walks Forward or Back (*) | |
5. | Progressive Walks Forward in Right Side Position or in Left Side Position (**) | |
6. | Side Steps to Left or Right (**) | |
7. | Cucarachas | |
8. | Side Steps and Cucarachas [1-2] | |
9. | Fan (. ) | |
10. | Hockey Stick | |
11. | Sport Turn to Left or Right | |
12. | Switch Turn to Left or Right (**) | - |
13. | Underarm Turn to Right or Left | |
14. | Check from Open CPP and Open PP (New York) | (-) |
15. | Shoulder to Shoulder (*) | |
16. | Hand to Hand | |
17. | Natural Top | |
18. | Natural Opening Out to Right [1-2] | |
19. | Natural Opening Out Movement (**) | |
20. | Opening Out to Right and Left | |
21. | Close Hip Twist (*) | |
22. | Alemana | |
23. | Open Hip Twist | |
24. | Advanced Opening Out Movement | |
25. | Advanced Hip Twist (**) | |
26. | Reverse Top | |
27. | Opening Out From Reverse Top | |
28. | Fallaway (Aida) | () |
29. | Cuban Rocks 2.3.4.1 | 2.3.4.1 |
30. | Spiral | |
31. | Curl | |
32. | Rope Spinning | |
33. | Fencing (. ) | |
34. | Sliding Doors | |
ѻ | ||
35. | Habanera Rhithm (. ) | - |
36. | Progressive Walks Forward In Right Shadow Position (Kiki Walks) (**) | ( ) |
37. | Syncopated Cuban Rocks | |
38. | Three Threes | |
39. | Three Alemanas | |
40. | Continuous Hip Twist | |
41. | Continuous Circular Hip Twist (Circular Hip Twist) | ( ) |
42. | Runaway Alemana | ( ) |
43. | Syncopated Open Hip Twist |
:
1. 9 Fan. Fan Fan Development ( [2-1]) : 2.3.4.1 2.3.4.1 , D. Fan Development -: 2.3.4. 1.2 3.4.1 ѻ.
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2. 33 Fencing. D ϻ, ˻ - ( ). ѻ.
3. 35 Habanera Rhythm. ѻ - , .
(PASO DOBLE)
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ѻ | ||
1. | Appel | |
2. | Syncopated Appel | |
3. | Sur Place | |
4. | Basic Movement | |
5. | March | |
6. | Chasse to Right | |
7. | Chasse to Left | |
8. | Elevations to Left and Right (*) | |
9. | Attack [1-1] | |
10. | Deplacement (also Attack and Slip Attack) (**) [2-3] | ( ) |
11. | Drag | |
12. | Promenade Close | |
13. | Promenade Link (**) | |
14. | Promenade | |
15. | Fallaway Whisk (Ecart) | () |
16. | Huit | |
17. | Separation | |
18. | Separation with Fallaway Ending (Separation to Fallaway Whisk) [1-2] | - ( ) |
19. | Separation with Ladys Caping Walks (Separation with Ladys Caping Walks to Fallaway Whisk) [1-2] | ( ) |
20. | Separation with Ladys Caping Walks (**) [2-3] | ( ) |
21. | Fallaway Ending to Separation (**) [2-3] | - |
22. | Sixteen | |
23. | Twist Turn | |
24. | Promenade to Counter Promenade | |
25. | Grand Circle | |
26. | Open Telemark (**) [2-3] | |
27. | La Passe | |
28. | Banderillas | |
29. | Syncopated Separation | |
30. | Fallaway Reverse (*) | |
31. | Spanish Line (*) | |
32. | Flamenco Taps | |
33. | Twists | |
34. | Chasse Cape (*) | |
35. | Travelling Spins from PP | |
36. | Travelling Spins from CPP | |
37. | Fregolina (incorporating Farol) (*) | ( ) |
38. | Coup de Pique (**) [2-3] | |
39. | Left Foot Variation | |
40. | Methods of Changing Feet | |
41. | Alternative Entries to PP |
(JIVE)
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E | ||
1. | Alternative to Jive Chasse forward and backward: Forward Lock; Backward Lock | : ; |
2. | Basic in Place | |
3. | Basic in Fallaway (Fallaway Rock) | ( ) |
4. | Change of Place Right to Left (*) | |
5. | Change of Places Right to Left with Change of Hands (**) | |
6. | Change of Place Left to Right (*) | |
7. | Change of Places Left to Right with Change of Hands (**) | |
8. | Change of Hands Behind Back | |
9. | Link | |
10. | Double Link (**) | |
11. | Fallaway Throwaway Fallaway Throwaway [1-1] Fallaway Throwaway Overturned Fallaway Throwaway [2-5] | |
12. | AmericanSpin | |
13. | Stop and Go | |
14. | Whip | |
15. | Double Cross Whip (Double Whip) | ( ) |
16. | Throwaway Whip (*) | |
17. | Double Whip Throwaway (**) | |
18. | Toe Hill Swivels (*) | ( ) |
19. | Promenade Walks (Slow and Quick) (Walks) | ( ) () |
20. | Left Shoulder Shove (Hip Bump) (*) | ( ) |
21. | Mooch (**) | |
D | ||
22. | Ball Change with Flick or Hesitation (Alternatives to 1.2 of Link) | ( 1-2 ) |
23. | Advanced Link (Break) | () |
24. | Overturned Fallaway Throwaway: Overturned Fallaway Throwaway [1-1]; Development of Overturned Fallaway Throwaway [2-5] | |
25. | Overturned Change of Place Left to Right (*) | |
26. | Simple Spin | |
27. | Curly Whip | ʸ |
28. | Reverse Whip | |
29. | Windmill | |
30. | Chicken Walks | |
31. | Rolling off the Arm | |
32. | Spanish Arms | |
33. | Miami Special (**) | |
34. | Flicks into Break | |
35. | Stalking Walks, Flicks and Break (**) | , |
ѻ | ||
36. | Change of Place Right to Left with Double Spin (*) | |
37. | Shoulder Spin (**) | |
38. | Chugging (**) | |
39. | Catapult (**) |